A Quote by Benedict Cumberbatch
I'd love to meet Julian [Assange], and time permitting, and his will permitting, I'm sure it will happen at some point. Even though he's been very critical of the film [The Fifth Estate], he's been very polite about me and my work, and I feel the same way about him.
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There's a huge amount of footage of Julian [ Assange] online, but he's usually in presentation or defending mode, talking about his cause, or the revelations which Wikileaks have brought about. There's none of Assange relaxing or in private mode. There's none of the personality I tried to give him behind closed doors [in The Fifth Estate ].
I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.
In the United States, whatever you may think of Julian Assange, even people who are not necessarily big fans of his are very concerned about the way in which the United States government and some companies have handled Wikileaks.
In a film muddied by fictional detail, the new Spielberg production Fifth Estate's portrayal of the Guardian's work with Wikileaks is accurate in describing the running dispute between journalists who wanted to redact documents to make them safe and Julian Assange, who wanted no such restraint.
I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think— no, you will realize— that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
I've been acting since I was a child, and though this was different in a way, I think I've been very blessed. The majority of the sets I've been on have been very inclusive and very empowering, and I've often chosen to work with people that sing from the same song sheet.
I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
Any advice I could give to female directors would be the same as for males: There will be endless difficulties, some seemingly defeating, on your way. That's a given. Just wipe out the very notion of stress. Concentrate on your actors. Obsess about your story and the world it is anchored in. Deal with the hundreds of down-to-earth issues [around] the existence of your film. At some point, everything will be ripe. And you wouldn't be able to stop your film from coming to life even if you wanted to.
I feel like I'm an explorer, a frontiersman if you will, and I've been able to satisfy that desire in me through music. I've continued to meet people who challenge me and inspire me as friends. I don't even know how to even quantify it in words. I've been very fortunate.
Akon is a very talented songwriter to work with. His melodies, they're just insane. It's funny, I think about him a lot when I'm doing my melodies because he's so simple, and he's just been great. He keeps me on my feet, very grounded, but he also puts me on a silver platter, which is always very nice. So it's been an incredible influence. It's like every time you work with somebody that's better that you are, you become greater.
If you're a human being, you'd have to be terrified. The impunity ... That these guys can sit on a TV show and just chat in a relaxed way about killing people like Julian Assange. They're joking, but at the same time, it's a vicious kind of rhetoric. The degree of enmity and the show of power and force against Assange must have terrified him. He was prepared to be paranoid when he was young - when nobody was actually after him. But this easy kind of vitriol and hatred that you now see as part of common discourse, it's become part and parcel of our everyday chatter.
Meanwhile, I get to make an album. I feel like I've been very lucky. There is a guilt when I see people I know who work really hard, then I'm like, "Oh, I've got to do an interview today." I'm so appreciative of all of this, but it does feel like the bubble will burst at some point and it will all have been a dream.
Being able to work on projects that I love and care about has been the greatest gift ever, and that's been a pretty recent thing in my life. But success for me at some point will probably be having a family.
It's often said that elephants are the most human of animals - there's something comical about their acquiescence, and tragic also. The long elephant poem - I was trying to write from the point of view of someone who had been seduced by the logic of his punishers and who, in a kind of awful way, could reproduce the very logic that had put him in this predicament in the first place. And maybe, in some kind of minor way, that's something I feel about myself, or maybe about all selves, that they fall in love with the thing that oppresses them.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
I have a profound admiration for Fellini. I met him lately and he's just fantastic. I feel very close to him even though he's very Italian. But his films could have been made in every country. When I say, I feel close to him, then also because we're both born on January 20th.
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