A Quote by Benedict Cumberbatch

I have pitfalls. I have emotional responses to things that are really not about me. They're about other people. — © Benedict Cumberbatch
I have pitfalls. I have emotional responses to things that are really not about me. They're about other people.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
Ringo: 'I do get emotional when I think back about those times. My make-up is emotional. I'm an emotional human being. I'm very sensitive and it took me till I was forty-eight to realize that was the problem! We were honest with each other and we were honest about the music. The music was positive. It was positive in love. They did write - we all wrote - about other things, but the basic Beatles message was Love.
You can focus on the few things that give people a negative image about me, or you can see the other things I've done, or talk to people in my inner circle who know more about who I really am.
The funny thing about 'Take Shelter' is that a lot of people talk about how it was allegory for the economy and things that were to happen. And that was so on the nose in the movie for me. I was like, 'That's obvious.' It's the other stuff about marriage and commitment and those other things that I spent the most time thinking about.
I'm about caring, I'm about people, and I'm about entertaining people. I'm a family man. A husband. A father. I've been a lot of other things over the years, which we don't really want to talk about.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
There are two responses to really awful things. One is to lament and say, "Oh my God, oh lord." And the other is to laugh at it a little bit, try your best to deal with it and, if you can, forget about it as soon as possible.
When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp... Fascinating to me because they were about things remote, and almost ethereal.
Me being so open just helps other people. People feel like they know me so much that they can talk to me all of the time about really personal things. Sometimes it's really nice and comforting. It depends on the person, whether they're creepy or not.
There were really funny characteristics about this guy [Richard Nixon], chief of which would be that he seemed to devote about 85 percent of his waking energy to suppressing any sign of his emotional response to anything that was going on around him, and the other 15 percent blurting out those authentic responses in the silliest and most inopportune ways. And he had these smiles that would come at the most inappropriate times - just flashes that there was an inner life screaming to get out.
I think, as journalists, we sometimes are afraid to enter into the emotional lives and the complications of the lives of the people we write about - we don't really have the space and the room to deal with those things. But as a novelist, that's precisely what you're writing about.
Mathematics can have its problems, but it's actually hasn't seen a lot of the problems as some of the other sciences and so much of it in what people are doing is completely useless. Nobody kind of in really cares very much. You don't really have kind of right and left and people in ideology coming in because there isn't any. It just doesn't actually connect up to the kinds of things that people ideologically worry about. So most of mathematics just doesn't tell you anything one way or another about global warming or about healthcare or about any number of things that you might care about.
We never really cared about all the things that other people cared about, you know? Like, people recognizing me on the street never interested me. I've always been kind of suspicious of the world, anyway, so it's pretty easy for me to live in my own little world.
People have said things about me, and wrote and criticized me about things in the past, but it goes in one ear and out the other.
Lyrically I address loads of things that I've never talked about before, about me or about other people.
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