A Quote by Benedict Cumberbatch

I've never been front and centre as an iconic American character [like in Doctor Strange]. Day to day, you know you're painting on a very big canvas. — © Benedict Cumberbatch
I've never been front and centre as an iconic American character [like in Doctor Strange]. Day to day, you know you're painting on a very big canvas.
Imagine a master painting that's never finished...when you can only build on previous work, you become limited by what you can paint...If you are in the midst of painting a forest full of tall tress and hanging vines, it is rather difficult to wake up the next day and suddenly turn that paining into the beach and ocean...We have to treat each day like a black canvas on which we can paint. Yesterday might have been paining flowers, but today you can paint cars or horses. A new day represents a chance for renewal.
The very first concert I ever went to was a Green Day concert when I was 12 years old, at the Hershey Centre in Mississauga, Ont., and I remember right after seeing them perform I started a band, and I wanted to get up in front of people and start performing. Ten years later, to be on the Green Day 'American Idiot' tour is really awesome.
[Doctor Strange] is a really rich character. It's an easy thing to have a good old meal every day. It's great. Yeah, I'm excited.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
I've stood in front of 500 extremely angry people in Waterford when we closed a call centre there. That's not fun, and the day you think it is fun is the day you shouldn't be doing it.
A legacy, or things like that, I've never really been a big thinker in that way. You know, it's kind of just been trying to go each day.
This film [Doctor Strange] kind of takes that everyday boring reality and really bursts it wide. So we talked a lot about that. In many ways there's something very practical about this world, the Kamar-Taj. It's - You know, we all look like samurai warriors, but actually there are iPads everywhere and there's a feeling that it's a practical possibility for this modern world that the Doctor Strange universe is functioning, and that we know it and it's around the corner for all of us.
I've always been interested in photographing traditions and customs - especially in America. The prom is an American tradition, a rite of passage that has always been one of the most important rituals of American youth. It is a day in our lives that we never forget - a day full of hopes and dreams for our future.
Yes, both 'Being Human' and 'Outlander' are known for their loyal fanbases. The beauty of both of those jobs was that the characters were very removed from me. So I've been lucky to get off scot-free, without any strange encounters. The wigs, blood, and strange onscreen faces/voices - they haven't found their way into my day-to-day life. Yet.
Manet wanted one day to paint my wife and children. Renoir was there. He took a canvas and began painting them, too. After a while, Manet took me aside and whispered, 'You're on very good terms with Renoir and take an interest in his future - do advise him to give up painting! You can see for yourself that it's not his metier at all.
I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
I like to say, when asked why I pursue science, that it is to satisfy my curiosity, that I am by nature a searcher trying to understand. If you haven't found something strange during the day, it hasn't been much of a day.
Writing and playing songs is something that I've loved doing since the day I started. It's never been a chore; it's always a hobby. To be able to do that from day to day makes me believe I'm a very lucky person.
I can easily come up with ten really iconic stories/trade paperbacks for Superman, Batman, others... name me ten equally big, iconic Wonder Woman stories. Much harder. That ain't the character's fault, that isn't sexism, that's just not servicing the character.
Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.
This site uses cookies to ensure you get the best experience. More info...
Got it!