A Quote by Benedict Cumberbatch

Even the cerebral characters I play seem to have physical quirks. They're all "physically inhabited," for lack off a better expression. For instance, Sherlock Holmes has very particular physical gestures which are drawn out in such detail.
When Sir Arthur Conan Doyle conceived Sherlock Holmes, why didn't he give the famous consulting detective a few more quirks: a wooden leg, say, and an Oedipus complex? Well, Holmes didn't need many physical tics or personality disorders; the very concept of a consulting detective was still fresh and original in 1887.
Isnt it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?
Isn't it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?
It seems to me that any popular fictional character's appeal is idiosyncratic in nature. Characters with large followings - Sherlock Holmes, Harry Potter, the crew of the Starship Enterprise - seem to embody something very particular even as they speak to something within a huge number of people. When I think of the most time-tested examples, the common thread appears to be an author who feels deeply for what he is creating.
Arthur Conan Doyle had to be Sherlock Holmes in order to envision how Sherlock Holmes would unravel a mystery. He had to be in Sherlock's situations. As a writer, you have to be of two minds.
I remember when I was a kid, I loved Sherlock Holmes. I thought Arthur Conan Doyle was one of the greatest writers, because I felt I knew Sherlock Holmes. He existed to me. When I went to England the first thing I did was go to Baker Street to look for his house. I think you've got to try to make all of your characters as empathetic and realistic as possible.
I always look at the motives behind each scene. You can play that out tonally with how you express yourself or you can do that with your physical expression, your physical presence. So I always think about what physical presence I want to embody in each scene.
I love Sherlock Holmes. I've got all his books, leather-bound. What I thought was great about Sherlock Holmes was that not only was he a supersleuth, he was also a hard worker. Not only did he go out and solve the crimes, he came home and wrote it all down. Fantastic. That's why I admire him.
I've done 33 Sherlock Holmes stories and bits of them are all right. But the definitive Sherlock Holmes is really in everyone's head. No actor can fit into that category because every reader has his own ideal.
As a complete score, I love 'Sherlock Holmes' - but we cast it badly. We put Ron Moody into the part - a great Fagin, not a great Sherlock Holmes.
It would seem that unless we see through and beyond the physical, we shall not even see the physical as we ought to see it: as the very vehicle for the glory of God
Exploration is the physical expression of the Intellectual Passion. And I tell you, if you have the desire for knowledge and the power to give it physical expression, go out and explore.... If you march your Winter Journeys you will have your reward, so long as all you want is a penguin's egg.
Some say that everything that is called a psychical law is nothing but the psychological reflex of physical combinations, which is made up of sensations joined to certain central cerebral processes... It is contradicted by the fact of consciousness itself, which cannot possibly be derived from any physical qualities of material molecules or atoms.
So many of the great detectives that we see on television now owe their origins to Sherlock Holmes. What was very exciting about Rob's pitch and script was that he is a real Holmes-ian expert. He knew all of the mythology. He was very well-versed in the genesis of Holmes and the stories. And the twist with Watson is something we jumped at immediately. It's a very forward-thinking way of doing the show.
Music is a physical expression that has a physical impact upon the listener. Sound travels in waves through the air. This is not abstract. This is scientific fact. And it makes physical contact with the eardrum... and with the heart... and with the rest of the body.
Sometimes what is 'real' because it takes place in the physical world, like 9/11, is so unreal on the level of the soul. Then other things, which in terms of the physical world seem so magical and unbelievable, on the level of the soul seem very real.
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