A Quote by Benedict Cumberbatch
I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.
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Drawing and visual pursuits were first. Music came and found me in a way. Really, what it's about is creative problem solving, and music is a lot more an expression of that than painting is for me.
I am graven on the palms of His hands. I am never out of His mind. All my knowledge of Him depends on His sustained initiative in knowing me. I know Him, because He first knew me, and continues to know me. He knows me as a friend, One who loves me; and there is no moment when His eye is off me, or His attention distracted for me, and no moment, therefore, when His care falters.
I had an interesting moment with 'Wonder Woman' where, when I first thought about doing 'Wonder Woman 2,' I thought, 'Well, these are so intense, making these movies. It's a lot to think about doing more.' But then I had an epiphany, and I thought, 'Oh, it's not more - it's better.'
It's hard to pin down what the politics would be, in a way. For me the politics are very visual and felt, thought, seen, but not necessarily put into words. The confusions and conditions within the work are the politics. The fact that a lot of the time the first thing people want to talk to me about is the racial angle, which is a part of the work and I am happy to talk about it, but it's not necessarily the first thing on my mind when I am making something.
The only time I don't get nervous is if I'm doing a home club in L.A. and I know all of my friends there because then I play to my friends. When I first started doing comedy, I hated it when my friends came; it made me more nervous. Now I just try to make them laugh.
I was one of the first early Twitter users from the film fraternity. And back then in 2009, I thought I was going to enter a world where people liked me, knew me, knew my work - it was going to be fine! All about the love, not the hate. And it was. At first.
The process of drawing is... the process of putting the visual intelligence into action, the very mechanics of visual thought. Unlike painting and sculpture... the artist makes clear to himself and not to the spectator what he is doing. It is a soliloquy before it becomes communication.
I'm a visual thinker, so I think of everything visually, first. A lot of what an issue will become for me starts with me thinking, "What's a great cover?," or "What's the splash image?," or "What is the title of the issue? How do I see the text?" I think about all of that stuff, and then the story comes out of that imagery.
When I draw it feels very natural - intuitive. I don't think about it, I just do it. My visual vocabulary is self-selecting and second nature to me. Writing is harder for me. It's something I struggle with. Drawing always comes first.
I am proud of having drawn the first comic about a lesbian - and it didn't even occur to me that I was drawing a first. I just wanted to tell the story of my roommate.
In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.
One of the reasons that DC, Marvel, and other comic book companies have always asked me to do covers and variant covers is because they know that when they tell me 'icon,' I jump over their words, and I give them an iconic cover - but while I'm doing it, there is going to be an idea there.
He says, "I have loved you since the first moment I saw you. I wanted you then, and when I thought you didn't want me, I turned my love into hate." "Ethan..." Before I say another word his mouth comes down over mine and he kisses me.
My career only took off because of one football game. I thought it was funny. 'Playboy' called and offered me a cover just like that. I turned them down initially, because I was nervous about it and my boyfriend at the time didn't want me to do it, but they kept coming back, so I eventually said yes.
My career only took off because of one football game. I thought it was funny. 'Playboy' called and offered me a cover just like that. I turned them down initially, because I was nervous about it and my boyfriend at the time didn't want me to do it, but they kept coming back , so I eventually said yes.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
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