A Quote by Benedict Cumberbatch
I wanted to take the audience on a journey where that transition was funny and awkward. It's the same cynicism that [Strange] has.
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Thery're both iron, isn't that funny?" "Funny haha or funny strange?" James handed them back to me "Funny 'occult'" "Ah. Funny strange" James looked at me sternly, "Don't start that. I'm supposed to be the humorous one
So . . . middle school? Awkward.Having a hobby that's different from everyone else's? Awkward. Singing the national anthem on weekends instead of going to sleepovers? More awkward. Braces? Awkward. Gain a lot of weight before you hit the growth spurt? Awkward. Frizzy hair, don't embrace the curls yet? Awkward. Try to straighten it? Awkward!So many phases!
People who grew up as child stars have the same thing in common. You're cute, they love you; you go through the awkward stage, they don't accept you any more. Very few make the transition to adult star.
My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
long journeys are strange things: if we were always to continue in the same mind we are in at the end of a journey, we should never stir from the place we were then in: but Providence in kindness to us causes us to forget it. It is much the same with lying-in women. Heaven permits this forgetfulness that the world may be peopled, and that folks may take journeys to Provence.
It's an interesting arc. You start with a character [Doctor Strange] who's likeable and charming but very arrogant and distant. He's funny but you can see there are massive holes in his life. It's a very painful transition and all that he becomes is tested so quickly and violently.
A very awkward situation occurs often in New York City when you are walking down a relatively empty sidewalk and there happens to be a person walking right next to you in the same direction as you at the exact same pace as you. I never know whether to pass or draft. It becomes sort of a strange competition.
I think the audience should take away that it's okay to be smart, it's okay to be funny and well-learned. You can be from academia and be funny; you don't have to be an idiot.
All those awkward moments - that's on the cast for doing such an amazing job. I think it was funny on the page, but when they did it, you definitely went, "Oh!" Watching it with a crowd that, like you said, was not expecting it to be funny, but then genuinely finding it funny, is totally a credit to their performances.
It's funny when you write a song - it's easy for me now - but there's almost a second stage where you take control of the song. You start writing it, and if you're not careful, it just finishes itself and it might not be what you wanted. It's very strange, it takes over itself. It has its own life.
The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's all one long thing - and when you can kind of do this interesting mixture of episodic and serialization, you can kind of take the audience on a more interesting journey.
Before 'Sunny' came along, I would audition and do chemistry reads with very funny actors. And then they would cast someone who was beautiful and benign. I don't think that very funny men wanted to headline with very funny women. They wanted to be the funny ones, and they wanted the wife to be the wife. That was very frustrating.
To me, the best comedians are the ones that take everyday, normal, boring stuff that no one thinks is funny, and they make it funny. That's the same style I go for.
Not all detectives are the same - some play bad cop, some are awkward, some are funny.
I wanted to do a show about a character that was an innocent, and so I focused on a sea sponge because it's a funny animal, a strange one.
Everybody was on the same page. Nobody has really gone out there on a different musical journey. When we got back together again, we all wanted to do the same kind of music.
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