A Quote by Benedict Cumberbatch

Why this character [Doctor Strange] is being introduced, to open up the next chapter. A — © Benedict Cumberbatch
Why this character [Doctor Strange] is being introduced, to open up the next chapter. A
I'm quite surprised by how many people grew up with this character [Doctor Strange ].
Awakening the mystical kundalini prematurely is dangerous, because unless you have refined your being, you'll get all screwed up, entities, weird powers ... strange things. That is why I don't teach anyone how to open up the chakras.
I'm just beginning to live the next chapter of my life. In other words, politics - being governor and president - is not the end of my life. It's a chapter.
It's one of the things that attracted me to the role [Doctor Strange] is the fact that it's a really widely origin story, I mean this is part of it, but of course there's the whole chapter before where he's the neurosurgeon who has the accident. It's fantastic.
It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
When you are reading a book and you finish a chapter, you don’t keep re-reading the chapter you just finished. You move on to the next chapter to see what happens.
You know, if you read a book, once you get to chapter five and stuff starts stepping up, it doesn't mean chapters one to four didn't happen. They happened, but now we're on the next chapter, and that's how I'd like to be perceived.
We did so much work developing the character of Kratos, why would we throw all that out? We're sort of treating the first seven games like chapter one of this character's life.
I'm sad in a way that the character [Doctor Strange ] leaves [neurosurgery] behind. It's an amazing discipline.
I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television.
In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.
Even though Doctor Strange is an established character, when you're doing an origin story there's a lot of room for manoeuvre.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I think the one thing about 'Total Divas' is that we all had to open up our lives. We all had to open up that book and show you every chapter we've been through. Then when you start comparing, you see we all have something in common. That's what made us all close.
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