A Quote by Benedict Cumberbatch

I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.
It's important for anyone working at a hyper growth company such as Airbnb to embrace learning and be open in order to keep pace with the changing environment.
I like changing the pace of my life, changing my discipline. It gives me ideas for how to see the world differently.
Great stories are still just great yarns. News remains the best human drama ever. Technology is not changing the story; it is just changing the way in which we deliver it.
Changing Myrtle Beach? It makes me feel very good ... If it's changing, it's changing for the positive.
I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.
I always try to mix it up with each book - changing tone, changing style keeps the work very vital for me.
What's important on a comedy show, or any show, is that some stories have to go somewhere. There have to be ends to the beginnings and middles you create. But sometimes it's like a way station on the highway, then the actual thing doesn't have to be this giant, climactic, life-changing, game-changing thing.
Dangal' movie has been made on our lives in which two daughters win a medal for the country. It just shows that the times are changing and people's attitudes are changing and if it is changing because of us then we are very happy about it.
When I read the script, I liked the script very much and I thought it was a marvelous part for her, because I think it is a change of pace. I mean, we know how wonderful she is in romantic comedy.
It's no fun for an actor to keep repeating what you did before. It's always changing. I'm changing. The target keeps moving. That's the beauty of it.
Phunny Business is a breezy, vivid, funny, star-studded and delightful valentine to comedy, entrepreneurship and the All-American impulse to make something out of nothing. The story of comedy club owner/inveterate dreamer Raymond Lambert and his heroic quest to create a safe, productive place for black stand-up comedians to hone their craft and find their voices isn't just a great Chicago story and a great comedy story: it's a flat-out great story, lovingly and engagingly told.
The things that I've enjoyed most are not really science fiction. They are not much fun to make because there are so many toys involved. They are fun for directors who like toys, like Ridley Scott, but they are not a lot of fun to make. A lot of hanging around, changing this and that.
If I'm in a town for very long, usually I'll work out in the comedy club just to keep my chops or work out the beats on new stuff.
I feel things are changing now. Actresses are working at same pace even after getting married or having kids.
I'm used to changing a lot of the dialogue. But if I feel like the script is working, I don't want to mess with it.
I honestly believe going independent is the future. Social is changing, Spotify is changing, everything is changing.
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