A Quote by Benedict Cumberbatch
I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.
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There's a huge amount of footage of Julian [ Assange] online, but he's usually in presentation or defending mode, talking about his cause, or the revelations which Wikileaks have brought about. There's none of Assange relaxing or in private mode. There's none of the personality I tried to give him behind closed doors [in The Fifth Estate ].
I'd love to meet Julian [Assange], and time permitting, and his will permitting, I'm sure it will happen at some point. Even though he's been very critical of the film [The Fifth Estate], he's been very polite about me and my work, and I feel the same way about him.
My son, he is the reason I got involved. It's been a joy to be around him and teach him the stuff that I know, and to the other kids as well. When he started playing I wanted to be involved in his hockey career. It's a lot of fun for both of us.
He was a very private person, and sometimes it seemed to me that he was no longer interested in the world or in other people... I got the feeling that Julián was living in the past, locked in his memories. Julián lived within himself, for his books and inside them - a comfortable prison of his own design." "You say this as if you envied him." "There are worse prisons than words.
I swore I would never get involved in my dad's life. But then he started blowing it. So I had to get involved, you know, but he's my dad, I can't send him to his room or ground him or go to his first grade play and scream, "Look at the fairy!" I was a wood nymph.
No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto, he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there.
I think there are a lot of people who are involved in the Tea Party who have very real and sincere concerns about spending that's out of control or generally philosophically believe that the government should be less involved in certain aspects of American life rather than more involved. And they have every right and obligation as citizens to be involved and engaged in this process.
A man's character is the reality of himself; his reputation, the opinion others have formed about him; character resides in him, reputation in other people; that is the substance, this is the shadow.
In a film muddied by fictional detail, the new Spielberg production Fifth Estate's portrayal of the Guardian's work with Wikileaks is accurate in describing the running dispute between journalists who wanted to redact documents to make them safe and Julian Assange, who wanted no such restraint.
Sadly, sadly, the sun rose; it rose upon no sadder sight than the man of good abilities and good emotions, incapable of their directed exercise, incapable of his own help and his own happiness, sensible of the blight on him, and resigning himself to let it eat him away.
Steven Meisel is completely consumed with what interests him. He does what he wants to do, and when something doesn't interest him, he's not afraid to say so. I think that's why you don't see his work all over the place as often as you might like to. Today he only photographs what he wants to photograph, what turns him on. He has an extraordinary eye, and his sophistication is limitless. This is a man who doesn't miss a beat.
Our public officials have forgotten that they are ultimately accountable to the people who put them in office, that the information they keep in secrecy belongs to all of us. Julian Assange took a courageous step by rightfully returning what belongs to the public domain. For that reason, I believe we need to stand behind him.
A rap dude has his rap persona, his hyper version of himself. Do you know Method Man's real name? Or Elton John, Marylin Monroe? You make up this character. That's kind of what we have done with Die Antwoord, playing with characters.
I can tell by my own reaction to it that this book is harmful." But let him only wait and perhaps one day he will admit to himself that this same book has done him a great service by bringing out the hidden sickness of his heart and making it visible.— Altered opinions do not alter a man’s character (or do so very little); but they do illuminate individual aspects of the constellation of his personality which with a different constellation of opinions had hitherto remained dark and unrecognizable.
To picture Roosevelt as a man at this time in his life - he felt he was old. He was 53 years old, feeling lonely and irrelevant. And all of a sudden, he takes on this campaign, and it becomes a crusade for popular government. And he ultimately goes on fire in the campaign, but he discovers he's up against all the old machine tactics that he used to use himself, and he has to let the public get involved. And he energizes the public through the most extreme kind of rhetoric, which truly brings him into the streets and onto his side.
I knew Randy right from day one when he started wrestling. I helped him put together that image of the Macho Man. He had a way about him. He grabbed your attention through his voice. That allowed him to present himself as a type of a character.
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