A Quote by Benicio Del Toro
There's something about the Oscar that gives you sort of stripes where you feel you can dare to walk into a studio like Universal and say, "Hey guys, how about an idea of me playing the wolf man?"
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One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
I remember Mick Jagger asking me 'hey, how do you guys feel about us coming over here and taking all the play from you guys?' I said 'Well, in a way, you have eliminated all my competition.
But it was sure a privilege to love him, huh?" I nodded into his shirt. "Gives you an idea how I feel about you," he said. My old man. He always knew just what to say.
Violence against women is real and something I feel passionately about, and the gateway to all that is wolf whistling. It's allowing a man to impose his will on a woman who is just trying to walk down the street and live her life. It's all about unwanted versus wanted attention, and, of course, there's a fine line.
When the Strokes first started playing gigs, instead of getting into a costume for the shows, we talked about how we should dress every day, in real life, like we're playing onstage. I don't really care about clothes, but it's about wearing something that gives you social confidence. Or maybe helps you pick up chicks.
The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!
Every day when I'm thinking about something or want to do something, I say, "Hey, can we shoot some stuff?" or "Hey, can you come with me to the grocery store?" or "Hey, can you..." Just so I can share my personality and who I am, and also use it as a platform to do bigger, more important things.
Hopefully, I can play both sides of the fence. That's probably what winning the Oscar gives me, the chance to do something with a studio and do other things that I really want to do.
Nobody cares about that. I do have guys every now and then who say - it's always guys by the way, it's never women - who say, "You were my childhood crush, can we date?" And I'm like, "There's something kind of creepy about that. Do you hear yourself?"
There are times in your life when you feel like the dumbest man on the planet and you’re insecure about something, and then there are times where you feel like, “Hey, I’m a pretty smart guy and I’m pulling it together …”
And I say, 'Hey, Lama, hey, how about a little something, you know, for the effort, you know.' And he says, 'Oh, uh, there won't be any money. But when you die, on your deathbed, you will receive total consciousness.' So I got that goin' for me, which is nice.
With Gargoyles, I didn't want to walk away. I liked the idea too much, I was too passionate about it and so I went to my bosses and said, "Guys, I want to produce this show." Their initial response, lets call it dubious, but they let me give it a shot and sort of the rest is history. I moved from one side of the desk to the other side of the desk, and became a full time writer which had always been the goal, but I came about getting the actual work in a sort of roundabout way.
I'm sure people are badmouthing me. I think one of the interesting parts about the criticism has been the tenor of "how dare he." How dare an insider speak critically about other insiders?
I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes
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