A Quote by Benjamin Alire Saenz

I wondered about the science of storms and how sometimes it seemed that a storm wanted to break the world and how the world refused to break. — © Benjamin Alire Saenz
I wondered about the science of storms and how sometimes it seemed that a storm wanted to break the world and how the world refused to break.
Sometimes it was daunting, knowing how easily I could break things. This one simple curse seemed to dominate my entire life.
I wondered at him, so wise and so foolish, to have lived with me all these months and not know that the worst storms break inside a man.
I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great distorted wall in front of them that hid the truth.
Science isn't just about solving this or that puzzle. It's about understanding how the world works: the whole world from the vastness of the cosmos to the particularity of an individual human life. It's worth thinking about how all the different ways we have to talk about the world manage to fit together.
That celebrated marriage of science and art, photography, seemed at the time to join together how we look at the world, art, with how we were coming to know it, science.
Things break all the time. Day breaks, waves break, voices break. Promises break. Hearts break.
Things break all the time. Glass and dishes and fingernails. Cars and contracts and potato chips. You can break a record, a horse, a dollar. You can break the ice. There are coffee breaks and lunch breaks and prison breaks. Day breaks, waves break, voices break. Chains can be broken. So can silence, and fever... promises break. Hearts break.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
I love investigating the natural world, and I find a lot of truths there, truths about survival and beauty - nature continually surprises me (amazing how clever a woodchuck is, amazing how plants roots can break up concrete, amazing how delicious the thimbleberry is!).
We have to ask, 'How can we break a huge challenge like sending humans to Mars into a series of doable, affordable steps? How can we break that problem down into chunks in order to keep making progress?'
Smart hiring managers in the modern world should be asking, “How long can you concentrate on a task before you have to take a break?” I wonder how many of them do?
I missed the final of the World Championships in 2009, but I told the coach I would break the world record in 2010. Which I did. Then in 2011 I won the World Championships and now in 2012 it is the Olympics. That is how I have been working.
We have to ask how we can stretch and how sometimes we can break the norms that determine what's intelligible and readable and what is not.
I hope to make pictures like I walk in the desert—under a spell, an instinct of motion, a kind of knowing that is essentially indirect and sideways.Of all the things I wondered about on this land, I wondered the hardest about the seduction of certain geographies that feel like home–not by story or blood but merely by their forms and colors. How our perceptions are our only internal map of the world, how there are places that claim you and places that warn you away. How you can fall in love with the light.
And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.
What I find so special about acting - especially being female in this world, and growing up with such intense standards of how you should be - is that you can break those rigid models.
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