A Quote by Benjamin Alire Saenz

I do that with all of my characters. They have one of the flaws I have, and I zero in on that flaw. — © Benjamin Alire Saenz
I do that with all of my characters. They have one of the flaws I have, and I zero in on that flaw.
You have many flaws, he announced... “But there was one flaw that made all the other imperfections pale in comparison.” “Was?” she asked. “I don't have this flaw any longer?” “No, you don't.” “Pray tell,” she muttered in exasperation, “what was this terrible flaw?” He grinned. “You used to be English.
The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
Flaws make us all human, and you're rooting for characters because of those flaws. It's ageless if you're interested in relationships and the way people can or can't relate to each other.
With my physicality and my face, I don't think I could pull off a completely righteous guy. There's something devious about my eyes. I like characters with flaws and to see how they overcome those flaws. I want to play real people, and they're flawed, not perfect.
If [Donald Trump] is paid zero [taxes], that means zero for troops, zero for vets, zero for schools or health.
A zero itself is nothing, but without a zero you cannot count anything; therefore, a zero is something, yet zero.
I put my flaws on front street. So the world accepted my flaws, so I don't have any flaws.
I think even a hero is someone who has sort of the flaw or imperfection of character. I remember Alice Walker saying that once - she'd written a novel about a civil rights hero, and it was someone who had this flaw, this central flaw.
I work very hard at creating complex characters, a mix of positives and negatives. They are all flawed. I believe flaws are almost universal, and they help us understand, sympathise and, paradoxically, feel closer to such characters.
The whole idea of a trade deal is to build a fence around participants inside and give them an advantage over the outside. So there's a conceptual flaw in that, one of many conceptual flaws in NAFTA.
The '50 Shades' series is a Cinderella story, where the characters seemingly have no flaws. The 'Crossfire' series is very different in that these two characters are almost mirror images of each other.
People like Donald Trump, who paid zero in taxes, zero for our vets, zero for our military, zero for health and education, that is wrong.
Any kind of run-of-the-mill flaws that are easily solved, to me, are boring. Situational flaws, for example. I like flaws that are rooted in a deep distrust in people because of a lack of love.
The federal investment in finding cures for cancer - $3 billion annually [as of 1999] - is less than ... zero ... point ... zero ... zero ... zero ... four ... percent of our gross domestic product, or about one-seventh of what Americans spend on beauty products.
If you met Faith Hill in person, you would think she's absolutely beautiful. And when you take her picture, you will see every flaw that you never saw in person. Those flaws not only become visible but magnified.
I like characters with flaws, who have shadow.
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