A Quote by Benjamin Barber

The question to ask is not whether you are a success or a failure, but whether you are a learner or a nonlearner. — © Benjamin Barber
The question to ask is not whether you are a success or a failure, but whether you are a learner or a nonlearner.
I divide the word into learners and nonlearners. There are people who learn, who are open to what happens around them, who listen, who hear the lessons. When they do something stupid, they don't do it again. And when they do something that works a little bit, they do it even better and harder the next time. The question to ask is not whether you are a success or a failure, but whether you are a learner or a nonlearner.
The wrong question to ask of a myth is whether it is true or false. The right question is whether it is living or dead, whether it still speaks to our condition.
The question is not whether a doctrine is beautiful but whether it is true. When we wish to go to a place, we do not ask whether the road leads through a pretty country, but whether it is the right road.
The great question is not whether you have failed, but whether you are content with failure.
When I'm in charge, you will never have to question whether anyone is listening, whether the mayor even wants the job. You will never have to ask yourself whether you matter. You will never have to wonder whether I'm in Iowa.
Making your mark on the world is hard. If it were easy, everybody would do it. But it's not. It takes patience, it takes commitment, and it comes with plenty of failure along the way. The real test is not whether you avoid this failure, because you won't. it's whether you let it harden or shame you into inaction, or whether you learn from it; whether you choose to persevere.
The question to ask when you look at security is not whether this makes us safer, but whether it's worth the trade-off.
This is the most exciting study there is. It is the only thing I know of in life that makes you feel consistently better, whether it's success or failure, whether they love you or hate you.
One question you ask as a writer or any kind of artist when you start making something is, 'Does this have reason to exist in the world?' And you're reassured when you get little confirmations that people are pleased it did exist - whether they buy a ticket, whether it gets good reviews, whether it transfers.
Plans are one thing and fate another. When they coincide, success results. Yet success mustn't be considered the absolute. It is questionable, for that matter, whether success is an adequate resposne to life. Success can eliminate as many options as failure.
The real test is not whether you avoid failure, because you won't. It's whether you let it harden or shame you into inaction, or whether you learn from it. . .
For me the question that you have to ask, about any magazine, is whether it's needed, whether it's publishing things that no one else could publish, or publish equally well. So there's that.
If you want peace, you've got to deal with people; you don't just deal with objects. And whether they take it as a responsibility or not, the success or failure in Kosovo is going to be the success or failure of building, first, economic hope, and then trying to heal the damage that's been done.
I think fundamentally, the question of whether or not Christianity makes sense - whether it withstands scrutiny, whether the evidence supports it or hurts it - always comes down to the Resurrection.
I ask that you offer to the political arena, and to the critical problems of our society which are decided therein, the benefit of the talents which society has helped to develop in you. I ask you to decide, as Goethe put it, whether you will be an anvilor a hammer. The question is whether you are to be a hammerwhether you are to give to the world in which you were reared and educated the broadest possible benefits of that education.
The question isn't whether or not to censor artists who espouse misogynistic views. The question is whether or not we support them as listeners and consumers.
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