A Quote by Benjamin Bratt

I wasn't terribly aware of Catwoman. She was a DC comics character and as a kid, I wasn't terribly fond of the DC comics characters. I was a Marvel boy. — © Benjamin Bratt
I wasn't terribly aware of Catwoman. She was a DC comics character and as a kid, I wasn't terribly fond of the DC comics characters. I was a Marvel boy.
When I was a kid, I read many more Marvel comics than I did DC. As I got older, in high school and then in college, I started reading more DC.
People look at Marvel movies as epic in scope, but if you look back at the comics, you realise that Marvel heroes were often a reaction to the square-jawed DC characters like Superman, who were flawless and beyond reproach.
At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy.
I was never a DC kid - I went through a phase from, like, 11 to 17 where I would try to buy as many Marvel titles as possible. And '2000 AD' was kind of the sort of sci-fi/punk of British comics.
Aquaman is one of the greatest characters at DC Comics and one of my favorites.
I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
If there are two kinds of people in the world - DC Comics people and Marvel Comics people - what kind am I? Well, to be honest... I'm a Wildstorm kinda guy. In the interest of full and fair disclosure, I write for Wildstorm. But even if I didn't, I'd love what they do. No, seriously, I'd love their stuff.
All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
Part of running DC Comics is that it's much larger than Image Comics is, or was. There's a challenge to being one of the industry leaders in that everything you do is scrutinized and watched.
I was looking to explore the theme of good and evil, so what better inspiration than the comics? I'd developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the 'We Can Be Heroes' campaign a few years ago. That's what started it.
I started reading DC stuff much later in my life. You realize that there's a huge difference between the Marvel universe and the DC universe and the characters that own it.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
To be honest with you, I didn't really read a lot of DC comics as a kid, but I was obsessed with Batman and still am.
There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.
I'd begun reading Crumb shortly before that, and other underground stuff, so that was an influence to some degree. Of course the Marvel and DC comics, they had been my main interests in my teenage years.
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