We never say so much as when we do not quite know what we want to say. We need few words when we have something to say, but all the words in all the dictionaries will not suffice when we have nothing to say and want desperately to say it.
When I worked with Gianni Versace at the end of his life, I was the person with whom he would confide and say anything. If there was something I didn't like, I would be honest and say, "No, no, no! Do something different."
I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
If we have political forces in the Bundestag, and in parts of the coalition, who... say they want to spend money on pensions, not weapons. Then I say, be honest and say you don't want a German army.
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
It's no use saying do this, do that, don't do that ... it's very easy when children want something to say no immediately. I think it's quite important not to give an unequivocal answer at once. Much better to think it over. Then, if you eventually say no, I think they really accept it.
Travel is very subjective. What one person loves, another loathes. I would say a private paradise in the Caribbean. If you want culture and class, I would say Tuscany. If you want exotic, I would say Bangkok, Thailand.
The case is I talk for a living, so I should be able to say anything I want to say regardless of how you feel. What we're starting to deal with now is your opinion matters, but to be quite honest, your opinion means nothing.
You read something and you know it's not there yet. There's a little section here that... this part's good but that is a little not, it doesn't quite work. That doesn't quite work. That's easy. To say, "OK, now, this is what I think will fix it." That's harder. And most people can tell you what's wrong with something. Very few people can say what they would do to fix it.
My actions on the field are very - I don't want to say emotional, but emotion does get the best of me out there. If I do something wrong, I'm livid. I take it that seriously.
I have to be honest and say that I never really feel like there's one person that I really want to cook for. I just want my food to always get better and always be evolving and for there to always be movement in what I make. I would say I strive for that more than anything else.
It can be very lonely knowing that you have things to say but you daren't say them. Knowing that you could contribute to something but you don't dare quite do it.
A lot of people want to keep me off my feet. I say a lot of things that are on my mind; I'm a very honest person. On top of that I'm a weird figure for hip-hop: this person who doesn't drink, smoke or do any of those weird things.
I think there is a misconception that being open and honest and saying what it is you want is something we should be embarrassed about. But that's just not me. I am a very honest person. I always tell somebody what I am looking for, and I don't want people to waste my time, basically.
Okay, I'm going to be completely honest here." I take a deep breath, because what I'm about to say is very real and more honest than I've ever been. "I don't want to be awayfrom you for that long.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.