A Quote by Benjamin Clementine

I felt like I was homeless anyway, so the change in environment wasn't that much of a big deal. I felt pretty much the same. After six months of living on the streets [in Camden], I started singing, busking.
In February of 1996, about six months after I created eBay, I started receiving a spate of complaints. Everyone was complaining about each other. I felt very much like I was a parent who had to adjudicate the brothers beating each other up.
I was having pretty bad anxiety attacks and stuff, and I think a lot of it had to do with my physical environment. Deep down I've always had a pretty strong connection with nature, but I've suppressed it for so long while living in the city. I think it caught up to me. I started really bugging out and needing wide-open space. So it was that simple. That and social anxiety. I felt like I was existing too much in nightlife.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it. I felt a calling.
I've never felt limited by my circumstances, no matter what they were. Even when I was living in Iowa, it wasn't like I had big dreams, but it wasn't that I felt I couldn't have any. I always felt very capable.
I didn't feel that so much as an outsider when I started writing; I've felt that way all my life. I don't know, man; I guess I was just wired wrong. When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people. And I'm not trying to romanticize this, because it wasn't romantic. I wasn't trying to be a rebel; I just always felt a little out of it. I think that's why it's pretty easy for me to identify with people living on the margins.
For those 10 months back in Afghanistan after university, I felt I had no rights. It felt like I didn't exist. It was like I was their doll, and I was lost, somehow. My sister's husband brought me to an art gallery. It had a big effect on me.
I started with California, and I did not like it. I flew over to Seattle, and I did not like it much. I felt like Iowa is the place - I like the people and the environment.
My identity, I felt, was so distinct. I felt very much like an outsider. My family didn't have the same rituals that everyone else seemed to have.
I felt that from my end, I should deal with the thing itself, which is the event. I pretty much functioned like the media itself.
I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.
I just love sneakers. When I first started wrestling, I was wrestling in boots, and I felt like I was trying too hard to play a wrestler. I just wanted to be myself. So when I started wearing sneakers, I felt so much better.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
After the first album, I felt like I needed to one up myself - get even bigger features - and I spent six months thinking about that and not making any music.
I was pretty much a warmonger and a pretty greedy guy. I always wanted to make as much money as I possibly could and felt the downtrodden didn't deserve a break.
I stood on Susan Boone's front porch, feeling lame. But then, since I've pretty much felt lame my entire life, this was no big surprise. On the other hand, usually I felt lame for no particular reason. This time I really had a reason to feel lame.
I've spent too much of my life being made to feel like there's something wrong with me. And no matter how much support I felt as a basketball player at Baylor, it still doesn't erase all the pain I felt there.
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