A Quote by Benjamin Clementine
On-stage, I definitely want to use my real self because I'm singing to people who believe in what I'm singing, and I believe in what I'm singing, but they shouldn't be fooled because we all have fake selves and it's in there somewhere. It's not pretending to hurt somebody; it's just something that comes out of me, from my experience.
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When I'm on a stage, it's just me, singing a song with words that I wrote and I believe in. And if I don't believe in them anymore, I'll stop singing that song.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.
I'm huge on the dynamic of my show and the experience, not just performing songs. It's important to me to make sure that people experience every song, and feel like I'm singing directly to them. Your eyes never want to leave the stage because there's always something happening.
Establishing a style is important, it really is, but a lot of singers get so involved with their instrument, and more so than they do in what they're singing. I think you really have to think about what you're singing. You have to make the public believe what you're singing. And in order to do that, you have to believe it.
Frank Sinatra said this great thing, that singing isn't about singing in tune, or great technical singing. It's about making people believe in the story you're telling.
What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.
Just because you see me singing up on a stage doesn't mean I don't have real life behind it.
I just love the thrill of performing on stage. I believe that singing is something I was put here to do.
I just would like to keep singing. As soon as I'm not singing well, I hope that I know it, so that I can get off the stage and leave what I have done. I hope I'll know, and if I don't, I hope somebody tells me.
I read a comment that made me think I should stop singing for a while. And I didn't want to stop singing, because it was the only thing I loved. At first I thought, "Maybe I'll get better and eventually please the person who wrote about my singing." But then I thought, "I probably will never please this person. I should just do what pleases me."
My mom helped me get started when I was younger. I started with singing. An agent saw me singing on stage at the Palm Springs Festival, and recommended I get into acting, so I was like, 'Oh, okay.' I just started from there, singing and acting.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
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