A Quote by Benjamin Cohen

The first profile piece on myself came about after my Rabbi sent information to the Jewish Chronicle on what I was up to. The story was then picked up by one of the nationals and things grew from there.
And from the first time I picked up a basketball at age eight - I had a lot of difficulty when I first picked up a basketball, because I was a scrub - there were things that I liked about it.
I read about the Trinity. I found something - Jesus was Jewish, he was a rabbi! - and I read a lot of stories about Jesus in Israel. And it's interesting that they picked me for this part in The Snack, and I'm Jewish, I'm kind of religious Jewish from Israel, and I don't look like the traditional Jesus with the long blonde hair and blue eyes.
Growing up in the San Fernando Valley, I grew up around a lot of Jews. I grew up culturally Jewish, ethnically Jewish, but without real belief and without a strong faith.
Right after college, after growing up in the United States, I moved to India, broadly telling the story of how an old and stagnant country was suddenly waking up. And I came home, back to America, in 2009 after telling that story and writing a book about that.
I guess that if I was a normal cartoonist who did things properly, I'd think up the background information first and then come up with the story. Saying that, you'd think that I don't really think through anything.
Growing up in Augusta in such a protected and loving community is something that I really enjoy talking about. I love talking about - even though I grew up, of course, in the time of segregated schools: Brown vs. Board of Education came along after I was already in first grade.
I grew up in a Christian home. The strictness comes with religion in general. Whether you grew up Jewish or Orthodox Jewish or Muslim, there are certain rules and regulations. But my parents instilled in me the importance of defining God for yourself.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.
In a Jewish theological seminar there was an hours-long discussion about proofs of the existence of God. After some hours, one rabbi got up and said, "God is so great, he does not even need to exist."
Each piece I tell stands on its own, and then it all ties together. It segues from story to story, and then I wrap it up - like three-piece movements in a symphony.
When I grew up I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalis.
When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
When Kellogg's brought up the idea of the tiger, they sent me a caricature of Tony to see if I could create something for them. After messing around for some time I came up with the 'Great!' roar, and that's how it's been since then.
When we were done and not picked up to series yet, they wanted us to read lots of writers. I was like, "No." Then we finally were picked up. It is hard not to start thinking of story lines. It is like doodling.
I grew up a skinny Asian kid who was often ignored or picked on. It stuck with me and branded my soul. As I grew up, I tried to stick up for whoever seemed excluded or marginalized.
I don't let everyone pick me up. I only let myself be picked up by whomever I want to be picked up by.
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