A Quote by Benjamin Franklin

Paintings and fightings are best seen at a distance. — © Benjamin Franklin
Paintings and fightings are best seen at a distance.
All the best things are seen first of all at a far distance.
Fella’s a genius. Best ever by a distance in my life time. Never really saw Pele… Souness, Gullit, Venables and now Rooney agree Messi is the best they have seen. He plays a game with which we are not familiar.
I was in a long-distance relationship. There's a lot of heartache in distance, and in proximity - those ideas you have when you're next to someone who you haven't seen in a month.
I will always find even the worst paintings that attempt some kind of representation better than the best invented paintings.
Most American cities shop to their best advantage when seen from a height or from a distance, at a point where the ugliness of the buildings dissolves into the beauty of an abstraction.
Well, great authors are great people - but I believe that they are best seen at a distance.
The spot paintings and spin paintings were trying to find mechanical ways to make paintings.
I was 21 years and 218 days old when I received the Academy Award for Best Actress. I had just stepped into an imaginary world that I'd seen at a distance for years.
I think the recent cluster of WWII novels is so good because we have reached an optimal distance from the war. Just as a lens has its focal length, the novel also has its best distance from the action.
The paintings in our galleries are seen one day in bright sunshine and another day in the dim light of a rainy afternoon, yet they remain the same paintings, ever faithful, ever convincing. To a marvelous extent they carry their own light within. For their truth is not that of a perfect replica, it is the truth of art.
Unlike the background in many of the paintings that I was inspired by or paintings that I borrowed poses from - the great European paintings of the past - the background in my work does not play a passive role.
I like to paint paintings that I haven't seen.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
I had a visit from an artist friend who basically said, "Your paintings are wonderful. Now stop." It did resonate with me. It hit on the percolating need for change that was already there. I got a little push. I did a group of the paintings early on that were among the best. It was sort of beginner's luck with these.
People are still making paintings. People are still enjoying paintings, looking at paintings. Paintings still have something to tell us. There's a way of being in the world that painting brings to us, that painters bring to the task that we absorb and are able to be in dialogue with. That's something that's part of us.
Personalities are like impressionistic paintings. At a distance, each person is 'all of a piece'; up close, each is a bewildering complexity of moods, cognitions, and motives.
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