A Quote by Benjamin Franklin

In every animal that walks upright, the deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the neck; then the breast and arms; the lower parts continuing to the last as plump as ever; so that covering all above with a basket, and regarding only what is below the girdle, it is impossible of two women to know an old from a young one.
I only thought I'd get one arm done at first. One arm turned into the other arm. Then I started tattooing my lower arms. I remember saying, 'Mom, don't worry, I'm never going to do anything on my neck.' Then I went to my neck and my chest and my legs, and I kept on progressing from there.
The last word in ignorance is the man who says of an animal or plant, "What good is it?" If the land mechanism as a whole is good, then every part is good, whether we understand it or not. If the biota, in the course of aeons, has built something we like but do not understand, then who but a fool would discard seemingly useless parts? To keep every cog and wheel is the first precaution of intelligent tinkering.
I love the acquaintance of young people; because, in the first place, I do not like to think myself growing old. In the next place, young acquaintances must last longest, if they do last; and then, sir, young men have more virtue than old men; they have more generous sentiments in every respect.
I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.
You cannot stay on the summit forever; you have to come down again. So why bother in the first place? Just this: What is above knows what is below, but what is below does not know what is above. One climbs, one sees. One descends, one sees no longer, but one has seen. There is an art of conducting oneself in the lower regions by the memory of what one saw higher up. When one can no longer see, one can at least still know.
If there ever is to be a republic of every village in India, then I claim verity for my picture in which the last is equal to the first or, in other words, no one is to be the first and none the last.
I think I was 10 or 11 years old. I think the first song I learned about then was 'Open Arms.' Then, when I got tired of listening to 'Open Arms,' I borrowed my friend's Journey album, 'Escape,' and tried to listen to every song.
I've been moving a little to the music while I worked ...and then I realize I am actually dancing. It feels wonderful, though I can feel how stiff my muscles are, how rigidly I've been holding myself...Mostly I've been moving cautiously, numbly, steeled because I know, at any moment, I may be ambushed by overwhelming grief. You never know when it's coming, the word or gesture or bit of memory that dissolved you entirely...It happens every day at first, then not for a day or two, then there's a week when grief washes in every morning, every afternoon.
I first started playing when we moved from my first house to a house that had a hoop out in front. Every day, I was in front of the basket shooting balls. The basket was regular height, and I was about 5 years old.
You are always new. THe last of your kisses was ever the sweetest; the last smile the brightest; the last movement the gracefullest. When you pass'd my window home yesterday, I was fill'd with as much admiration as if I had then seen you for the first time...Even if you did not love me I could not help an entire devotion to you.
And now we can't," I said. "Which sucks, but the main thing is that your dad's alive." He smiled, hesitant at first, then a blazing grin broke through that made my heart stop. I recovered and grinned back and went to throw my arms around his neck, then stopped, blushing. Before I could pull back, he caught my elbows and put my arms around his neck and pulled me into a hug. Then he jumped, chair swiveling so fast I nearly went flying. I heard footsteps in the hall and I scrambled off his lap just as Simon swung in, breathing heavily, like he'd come running.
If someone has failed, that is not a deficiency for me. I think that he has more motivation. I've seen many examples where someone was successful first and failed later and failed first and then succeeded. If they failed in an honest way, I don't see it as a deficiency.
Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. Then you pop it all back in, sew yourself shut and perform.
It can take years of tears to melt the hardness that develops in this world, covering our tender, gentler inner selves. Tears for every devastating loss, tears for every humiliating failure, tears for every repeated mistake. Those who honor those tears, and even honor them, are not failures at love but rather its true initiates. First the pain and then the power. First the heart breaks and then it soars.
What I've done in this older part of my life is I started foundation called 261 Fearless, named after my old ,1967 Boston Marathon, bib number.I thought we could create training and a communicative, non-judgmental platform, in a movement to let them know they're not alone. Then fearless women can reach out to help women who are fearful and take that first step using the vehicle of running because it's transformational. It works for every woman every time.
The first voice they hear is mine, the first touch they feel is mine, the first human face they see is mine. They just think I'm a strange tiger who walks on two legs.
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