A Quote by Benjamin McKenzie
The only boring part of it is finding the fact that got you from point A to point B. Most actors, if they're being honest, are not going to say that that's the most stimulating acting work they've ever done. But the dynamics of staring into the face of evil and it looking back at you, and seeing yourself in that or not, is interesting.
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Surely the whole point of writing your own life story is to be as honest as you possibly can, revealing everything about yourself that is most private and probably most interesting for that very reason.
I'm at the point in my career now, where I can take a bit of time to find exactly what roles are that I want to do and not work myself into a corner. I love acting and I love who I'm becoming, as I evolve as a human being. My work is an important part of me, which may or may not be healthy, so I need to do things that I love. I want to tell interesting stories, discover things about myself, and other people. The only way to do that is to not take jobs that feel repetitive or boring to me because then you're stuck doing that job instead of finding the thing that speaks to you.
A lot of directors on a base level are fearful of actors and maybe even distrustful. I love the craft of acting and I love actors so I think they can probably sense that. They also know that I understand what their process is, having done it myself. The thing I come back to over and over again is that for most people who are not analyzing it from a critical point of view, most iconic film moments are actor moments. We show up to commune with another human being and their experience. We don't show up necessarily to watch a really cool dolly shot.
You have to go through a point where you actually hate yourself because when you come to this point of hating yourself so much and break into pieces, you can put yourself back together in the most beautiful way possible.
Bill Paley is not only the greatest boss I ever had, but he's the most brilliant, honest and warm human being I've ever met. And I'll say that to his face - even if it costs me my job.
Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.
The most unhappy of all men is the man who cannot tell what he is going to do, who has got no work cut-out for him in the world, and does not go into it. For work is the grand cure of all the maladies and miseries that ever beset mankind,honest work, which you intend getting done.
I'm not really that sick of Evil Dead. I can trace all roots back to The Evil Dead movies, so I have nothing against them. It's just that I've done more non-Evil Dead stuff; it's not the only thing I've done. There are some actors who have done a cult movie and they are forever going to be the Policeman #2 in Plan 9 From Outer Space.
I have my writing therapy. For me, writing and friends therapy is an internal journey where you go in deep, you reflect, you try to heal your inner child. But as an activist, there's the outward, going wide therapy, where you get to realize at a certain point that talking about yourself gets boring. And it's also unhealthy to be so much into yourself. At some point, you have got to be able to look at the issue and say, "It's not about you. It's about a culture, a people, a nation, a family."
Faces are the most interesting things we see; other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is the face. It tells all.
You have to appreciate the finer points of your work; criticise, too, if needed. I am also my own worst and most honest critic. I can say things which nobody will ever dare say. Even the best of friends will stop at a point, whereas I can go beyond.
Being realistic is the most commonly traveled road to mediocrity. Why would you be realistic? What's the point of being realistic? I'm going to do it. It's done. It's already done. The second I decide it's done, it's already done.
I think most actors probably enjoy playing the bad guy. I think it's the fact that most of the time, heroes aren't written with enough interesting qualities or flaws, and that leads to the bad guys being almost the runaway train, as far as being more interesting for the audience to watch.
When you succeed, at a certain point, you want to challenge yourself. Otherwise, you become boring. You become a has-been. It's not very interesting. I don't want to be this guy who has only succeeded in France. I could say, 'O.K., that's it; merci.' But I'm not interested in that.
Most actors really love it, that's what they want to do. They burn to do it. And so they'll read a script and think, that's an interesting part. And because they love acting, that blinds them to the fact that the rest of it is pretentious nonsense, which it very often is.
The only thing poverty does is grind down your nerve endings to a point that you can work harder and stoop lower than most people are willing to. It chips away a person's dreams to the point that the hopelessness shows through, and the dreamer accepts that hard work and borrowed houses are all this life will ever be.
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