A Quote by Benjamin Moser
Like her friend and admirer Clarice Lispector, Hilda Hilst was a passionate explorer of the sacred and the profane, the pure and the obscene, and shows, in this discomfiting, hypnotic work, just how rarely those categories are what they seem. The translation is excellent - what a rare relief.
Related Quotes
Once I looked into it, I was taken aback to learn that pretty much nothing by João Gilberto Noll was available in English translation. I was confident that I could find an editor and the readership for a translation: Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included. Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
I would ask the people who were generous toward my own work. After class one day a poetry professor said to me, "Hey, there's this guy Basho you would find interesting," and so I found Basho. A fiction teacher told me, "You ought to read Clarice Lispector if you're interested in that sort of in-between stuff," and then Lispector appeared. It's not magic. You just keep your eyes open.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy. I don't know how to do the other, so I won't consider television until the audience's taste changes.
Those things which are sacred, are to be imparted only to sacred persons; and it is not lawful to import them to the profane until they have been initiated in the mysteries of the science.
History, whether sacred or profane, hides her teaching from those who study her through coloured glasses. She only reveals truth to those who look through the cold clear medium of passionless inquiry, who seek the Truth without determining first the masquerade in which alone they will receive it.
Hilda Reiss was the head of the Everyday Art Gallery. Hilda Reiss came from Germany, had trained at the original Bauhaus in Germany, and her training inspired her to think of anything that she liked as art.
As an actor, you very rarely have the experience of picking up a script and getting a few pages into it and realizing that what you're holding in your hands is not just a role on a TV show, but it's one of those special parts that comes along, once or twice in a career. If you're lucky, you get an opportunity to do something really memorable and to be part of one of those rare shows that passes into that special category.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They’re superficial and I like articulate comedy.
I recommend limiting one's involvement in other people's lives to a pleasantly scant minimum. This may seem too stoical a position in these madly passionate times, but madly passionate people rarely make good on their madly passionate promises.
John Gottman is our leading explorer of the inner world of relationships. In The Relationship Cure, he has found gold once again. This book shows how the simplest, nearly invisible gestures of care and attention hold the key to successful relationships with those we love and work with.
Man becomes aware of the Sacred because it manifests itself, shows itself, as something wholly different from the Profane.
I imagine like most of us that I'd like obscene amounts of money but the people I met and worked with who have those obscene amounts of money and have obscene amounts of fame have awful lives. Really. I mean hideously compromised lives.
I imagine like most of us that I'd like obscene amounts of money but the people I met and worked with who have those obscene amounts of money and have obscene amounts of fame have awful lives. Really. I mean hideously compromised lives. And I can go anywhere. No one knows who I am.
Every now and then, I'll meet an escapee, someone who has broken free of self-centeredness and lit out for the territory of compassion. You've met them, too, those people who seem to emit a steady stream of, for want of a better word, love-vibes. As soon as you come within range, you feel embraced, accepted for who you are. For those of us who suspect that you rarely get something for nothing, such geniality can be discomfiting. Yet it feels so good to be around them. They stand there, radiating photons of goodwill, and despite yourself you beam back, and the world, in a twinkling, changes.
I've had the joy of working on critically acclaimed shows, but unfortunately, those shows aren't always in the Golden Globe or Emmy categories, which bums me out because they are really good, quality shows.
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