A Quote by Benjamin Walker
If it doesn't feel like a job and I'm learning something and getting that rush that I get, I don't care if it's behind a camera, on a TV set, or on the moon.
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Well, getting behind the camera is something I've always wanted to get involved with. Ever since I was doing movies like 'Zathura' I was very interested in all the different jobs on set and kind of soaking all the information up like a sponge.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
I never feel like I'm in a rush. I'm controlling the pace. If I have the ball and hit the hole right now and get 3 yards, I feel like I can be patient, work for something, knowing I can still get the 3. It's something that's hard to be coached on. I just feel I've perfected it over time.
On television, you have an intimate moment with the camera. In theater, you are making something live with people there. My brain doesn't understand that you don't get another take ever. I'm finally learning on TV that you can do something over if you make a mistake.
The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
Yeah, I'm doing some stuff behind the camera. Producing and directing. I feel like my face has been on TV enough in my lifetime that people don't need to see me like that anymore.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
Dana White hides behind a microphone and behind a TV camera and spouts off and calls people names because he doesn't like their opinion.
I get that rush that comes when you know you're doing something wrong and are getting away with it, like stealing from the school cafeteria of getting tipsy at a family holiday without anyone knowing it.
When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
For a second I feel a rush of sadness: for the horizons that vanish behind us, for the people we leave behind, the tiny-doll selves that get stored away and ultimately buried.
In 'Stranger Things,' of course, I have all these kids around me and I feel like on a TV show, you're more connected with everyone already. But it's fun getting on a movie set and getting to know everyone. There're pros and cons to everything.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I would have to say movies are my favorite. I love doing TV, too, but it's always rush, rush, rush. With a feature film, those moments and scenes get a chance to breathe, because you don't have to accomplish as much in one day.
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