A Quote by Benjamin Wiker

There once was a man called Rousseau who wrote a book containing nothing but ideas. The second edition was bound in the skins of those who laughed at the first.
My specialty as a collector is books that almost have value. When I love a book, I don't buy the first edition, because those have become incredibly expensive. But I might buy a beat-up copy of the second edition, third printing, which looks almost exactly the same as the first edition except that a couple of typos have been fixed.
God has, in fact, written two books, not just one. Of course, we are all familiar with the first book he wrote, namely Scripture. But he has written a second book called creation.
As with Hobbes, we see again, the power of fiction. Rousseau's acount of natural man was no more real than Hobbes's, but following the same pattern, once it became the accepted story of human origins, it thereby exercised the power of a self-fulfilling prophecy. In imagining Rousseau to be right, we have become what Rousseau imagined.
I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.
I think that if you really love a book, there's nothing nicer than to have a first edition of it.
In all their jollity in this world, the wicked are but as a book fairly bound, which when it is opened is full of nothing but tragedies. So when the book of their consciences shall be once opened, there is nothing to be read but lamentations and woes.
I wrote my first book when I was 15 years old. And my second book '1,2,3 Publish Me!' shows everyone how writing a book is done in just the three secret editing levels I discovered!
Writers are frequently asked why they wrote their first book. A more interesting answer might come from asking them why they wrote their second one.
I just love those [saying of Christ ]: "Father forgive them, they know not what they do. I thirst. It is finished. Into Your hands I commit My spirit. Today you will be with Me in paradise." That was really the heart of the second book I wrote called No Wonder They Call Him Savior.
How do you tell a valuable French book?' 'First there are the pictures. Then it is a question of the quality of the pictures. Then it is the binding. If a book is good, the owner will have it bound properly. All books in English are bound, but bound badly. There is no way of judging them.
My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.
My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.
I've only suffered writer's block badly once, and that was during the writing of Chamber of Secrets. I had my first burst of publicity about the first book and it paralysed me. I was scared the second book wouldn't measure up, but I got through it!
One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.
As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.
The acts of the mind, wherein it exerts its power over simple ideas, are chiefly these three: 1. Combining several simple ideas into one compound one, and thus all complex ideas are made. 2. The second is bringing two ideas, whether simple or complex, together, and setting them by one another so as to take a view of them at once, without uniting them into one, by which it gets all its ideas of relations. 3. The third is separating them from all other ideas that accompany them in their real existence: this is called abstraction, and thus all its general ideas are made.
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