A Quote by Benji Hughes

I'm not Madonna-famous and wouldn't want to be. — © Benji Hughes
I'm not Madonna-famous and wouldn't want to be.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."
Madonna is the most famous woman on the planet and has been for a number of decades.
But I've been there and done that. I'm not trying to prove anything to anybody, and if somebody wants me to come, if they can afford what I ask, it's not as much as Madonna makes; not that I want what Madonna makes, but I was saying.
Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
If anyone besides famous people knew what it was like to be a famous person, they would never want to be famous.
I'm probably slightly more famous than I've been comfortable with. Famous enough to have my phone calls returned is about as famous as I want to be.
I grew up a Madonna fan, still am a Madonna fan, and will die a Madonna fan.
Celebrity culture, it's everywhere, isn't it? It's reality TV, Big Brother. I didn't become a footballer to be famous, I became a footballer to be successful. I didn't want to be famous. Now people want to be famous. Why? Why would you want people following you about all day?
I love Madonna! If you want to see the Madonna I know, just go on YouTube and you'll see those early interviews before the record came out. She was giddy and wonderful and giggly and happy and so excited looking towards the future.
I want to be really special, I want to be really good. It's not enough to be famous for me. Famous is empty so quickly, it's not what people think it is. It's wonderful, but if you're famous and you feel that you're an artist inside and everyone thinks you're just a celebrity, it's really painful.
I didn't become a footballer to be famous, I became a footballer to be successful. I didn't want to be famous. Now people want to be famous. Why? Why would you want people following you about all day? I couldn't think of anything worse.
Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.
Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.
I never wanted to be famous. I want to be more famous than I am so I can get the roles. I hate losing the roles. I was famous more for being around people who were famous, and I hate that kind of fame.
When you're famous you can't go to Topshop. Even when I disguise myself in a moustache, baseball cap, sunglasses - the full Madonna kit - it doesn't work: my stupid face is too big.
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