A Quote by Benji Madden

All of our lyrics are really personal, and we get a lot of personal letters. — © Benji Madden
All of our lyrics are really personal, and we get a lot of personal letters.
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
Before the fight I don't like to talk a lot of crap about my opponents, it's nothing personal, when it comes to interviews or anything like that. But once I get in there, I make it personal. This is my livelihood, my life is either going to go up or go down depending on what happens right here, so it's really personal. I make that guy my enemy.
Getting up for sadhana in the morning is a totally selfish act - for personal strength, for personal intuition, for personal sharpness, for personal discipline, and overall for absolute personal prosperity.
I think, we can only write very personal matters through our experience. When I named my first novel about my son "A Personal Matter," I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.
I've been really lucky to spend some time around actors and artists I really admire. One thing I gathered from asking a lot of questions is that part of this job and this life we've chosen is doing personal exploration in front of an audience. In a lot of ways, that's what art is: personal searching with people watching.
Washington is a very complicated city. You have to work the personal relationships. They are politicians, they are congressmen, they are senators, but they are human beings. And for them to get to know you on a personal level really, really makes the difference.
With the project where I'm making something with my own name, my main mission statement is honesty. I never want to hold back from what I'm saying for fear of showing it to people. At the same time, I try to take my own personal experiences and problems and wrap them around lyrics that are a little more universal and not naming names. I don't let it get that personal. That's not really a fear of over-sharing, it's just what makes a good song. I want to get people to listen to it and to find a universal aspect of what I'm trying to say.
Being an entrepreneur does require a lot of sacrifice of your personal time and personal hobbies and things that you enjoy. At least for the period of high growth that you experience at the beginning of a company's life cycle, you have to be ready to make a lot of time sacrifices and personal sacrifice.
There is really no spiritual message that I'm trying to convey with my music, it's just a personal thing. I really believe that the more personal we get, in a way, the more universal the implications.
My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
All the souls to explore! - It's not so necessary to love, really, as it is to settle something deep with all of those who really matter. Love and hate are the same things, differently sifted through personal... pride, or what have you... personal pride or even just personal-ness.
I get some letters from a lot of people. Sometimes it's nice, with letters from kids or from parents of kids who want to be tennis players, but I also get racist letters. It's really painful to receive something like that because you're not ready for that. You think to yourself, 'That's really bad.' But I realise that there are people like that.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
Being in the public eye, you can't really avoid a lot of questions. A lot of questions are being thrown at you, whether it's about your personal life or your personal beliefs, and I'm happy to answer them all.
In the collaborative process, you create a real intimacy; everybody ends up sharing personal stories and personal observations and their philosophies, their psychological side. By the time you get to set, it just creates such a sense of trust and intimacy between the director and the actors. It's really, really great.
What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
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