A Quote by Benji Madden
I'm always happy to work with my brother and especially to be a part of 'The Voice Kids.'
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In the early years, I found a voice that was my voice and also partly my father's voice. But isn't that what you always do? Why do kids at 5 years old go into the closet and put their daddy's shoes on? Hey, my kids do it.
I'm actually working on with Autism Speaks. Since my brother's 18, I wanted to work on a program for these older kids. A lot of the schools' special education programs end when the kids are 21, like my brother's school. What is next for these kids? I want him to be constantly active, and not just sitting at home. I want him to be constantly growing and it would be amazing if the funds could go to something like jobs for these kids, or a home where they can be together.
I always wanted voice over to be part of my career. Even as a child, I'd watch cartoons and know that someone was doing the voices. When I moved to L.A., my hope was that I'd do on-camera work and voice over. I've ended up doing both, but the voice over side took off in a way that I didn't expect!!
I'd like to have a kid, and I'd like to be driving around. I know a kid is going to be a big part of my life. I can trust my kid. I know my kid would be in the backseat of my car, and when I say You wanna get some ice-cream? he's going to be happy. My brother has kids. I see that trick work, the ice cream trick.
On 'Voice Kids' we were always so conscious to really take care of the kids and their families throughout the process. But to be honest the kids took it more in their stride.
His eyes shone when he looked at her, green as spring grass. He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you. Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
People say I write specifically about nothing in particular. I don't know about the latter part, but I think the first part is really important in conjuring up a voice that works, or at least the illusion of a voice at work.
What’s the best part of being in Hermes cabin? Connor: You are never lonely. I mean seriously, new kids are always coming in. So you always have someone to talk to. Travis: Or prank. Connor: Or pickpocket. One big happy family.
Wisin is my brother. He always will be my brother. We are very happy as solo artists. We had a great musical trajectory together, which will be there forever. And for the future, we won't discard reuniting and making something new.
Let us give ourselves indiscriminately to everything our passions suggest, and we will always be happy...Conscience is not the voice of Nature but only the voice of prejudice.
When you work on a story like the Weinstein investigation, every other non-critical part of your life disappears. For months and months and months, my life basically consisted of my work and my kids, my work and my kids.
The book 'Do You!' is about your inner voice. And when you connect to that voice then you - then the freedom comes. And we're only here to be happy. So happy makes money. Money doesn't make happy.
I am always nervous about doing voice-over work. I'm always clammy and I worry, "What if my voice squeaks? What if I don't deliver it right?" Until you start saying the lines, it's always nerve-wracking, for some reason, and I've never gotten over that.
My kids, they're always embarrassed when my voice shows up in something. I took them to Inside Out, and my voice comes in, and they were like, "Ugh, Dad, what are you doing? Get out of there."
I'm happy if everybody else is. I'm a big brother, the oldest. If you're happy and I'm not, I'm cool with that. If I'm happy and you're not, I'm sad.
I have a voice inside. A voice that I am forever trying to silence. A voice that calls me in when I want to be out, playing. A voice that is always sad. That is always terrified. That always wants to sit in the darkened room, away from noise and movement and colour - away from any experience that could prove to be challenging.
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