A Quote by Benji Madden

When you have a relationship with a label, it can really affect the work you're doing and if you feel like they don't believe in you sometimes you go: "maybe I'm not any good at this". Then you get on a label that is excited to have you and you go: "oh, maybe we are ok at this". It gives you a little more confidence and you work a little better.
Sometimes I get kind of bored if I go like a month or so and I'm not doing anything. At first I'm like, 'Cool, I'll have a little time off and I'll get to hang out with friends,' but then after a little while goes by I'm like, 'Oh,' and I really wish that I could go back and start doing work again.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
If I give you the right conditions to work, and I put you in a beautiful place, where you feel a little bit better about yourself because you know your work is being used for something greater than producing a profit, maybe you will get more creative; maybe you will want to work more.
If l give you the right conditions to work, and I put you in a beautiful place, where you feel a little bit better about yourself because you know your work is being used for something greater than producing a profit, maybe you will get more creative, maybe you will want to work more.
I'm no perfect gymnast. I want to go out and eat junk food, or I maybe don't sleep as much as I should, or some days I'll leave the gym and think, "Maybe I should have worked a little harder. Maybe I'm not as tired as I need to be." Every day you push a little harder, eat a little better, maybe go to bed a little earlier.
Maybe I'll work for a label someday, write some fiction, nonfiction. Someday I'd like to go back to school and get my teaching degree. I want to be a grandpa. I want to have more kids.
I feel like the more I work on different songs and the more I work on my voice constantly... I always feel better after I post a cover. Even if it's doing the little 15 second covers, I'm working on my craft, and it's really good for me, and I feel good after I do it.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
Occasionally, I will come across something that has lost its label over the years - maybe the client didn't want to declare the dress at customs and took the label out - but I'll recognize it from an image that I've seen in Vogue, or a little thumbnail sketch.
Maybe further down the road in my career, in a couple of years when I'm maybe not that fast any more around the court, then maybe it would be good to come to the net a little bit more often
I'd love to do a fashion label in the future. I've been thinking a lot recently about maybe making a line of little dresses, so maybe one day.
In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.
I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.
Now obviously popularity isn't everything when it comes to stand up comedy, but the art form itself is better today than it ever has before. I think there are more great comics. I think the standard is higher. The critical analysis is a little harsher, but that is also good. Maybe people have a higher standard than before, maybe they are a little more judgmental, a little more brutal, that makes people work harder. It makes the stand up better.
At 3 years old, I was imitating and doing fun little commercials for the family. Then at 5, I knew, 'OK, this is something I really like.' At 8, I was crying in front of the mirror and my mom was like, 'Oh boy, here we go. We know what she's going to do.'
Maybe you are homophobic a little bit, but then you see me, and you've always loved me, and you love the way I play, and your kids love me. And then you're like, 'Oh, that's OK. It's fine.' Once it gets a little bit more personal, it helps break down those barriers.
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