A Quote by Benmont Tench
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
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I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
My brother was in high school and he had a garage band going, but no one would sing. They were covering a Hatebreed song at the time and I knew the words for it. My brother knew I knew the words, so he came inside the house and he's like 'Hey Mitch, come out here and sing'. I did it and after that I started a band with my older brother. That's how I got started.
I think, to be honest, sort of emanated from the initial work of somebody else instead of SCLC. If you take Albany; I don't know whether you recall how Albany got started. There were two little guys who went up there first. One was Cordell Hull who was then in his teens - not Cordell Hull - Cordell Reagan, who came out of the Nashville movement, and Charles Sherrod, who came out of the Richmond, Virginia, movement.
I had always wanted to make music on a big scale but never knew how it was going happen - until I saw a band in Oslo called Bridges. I was stunned. They had everything. The only thing they didn't have was me. I knew I needed to join, not for my own sake but for the band's. I knew I was a necessary ingredient.
I spent a long time in London on the stage, and you knew exactly what you were going to be doing. You not only knew the performance, but you also knew exactly where you would stand.
The stupidest thing she knew was for people to act like they knew all about the things they knew absolutely nothing about.
I was two years old when I told my mom I was going to be in a band when I grew up, and I was four years old when I started my first band with my neighbors. Before I knew how to do anything, I was figuring out how to be in a band.
Just trying to get to know what director Bill Condon wanted. He's a great director and knows exactly what he wants. He knew every lyric to every song; knew where a handicap was.
I was introduced to lots of great music through my local record store. It was a place where people knew music and they knew me, and could make great suggestions and discoveries. Whether it is in the physical world or on-line, the value of a great and knowledgeable record store has not gone away
Once I started to make the transition to guitar - because I was playing keyboards when we started the band - I was trying to figure out riffs I could play without really having a lot of knowledge. And my dad ended up showing me Black Sabbath's 'Heaven and Hell,' because he knew I loved Dio.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
I thought I knew it all. Again, I knew absolutely nothing.
In Indiana, I knew the offense in and out. I knew spacing; I knew personnel. I knew the offense, how coach wanted to play me. So when I just wanted to take over and control the game, I could.
When we got in the race, we knew what we had to do and knew what we wanted to do. Having three of four guys from the American record 800 free relay is a pretty solid relay, so we thought we could take a crack at the U.S. Open record tonight. We're all a little tired, but that's fifth-fastest American relay ever, so it's not a bad time. We ended tonight on a great note.
I remember, as a kid, nothing struck me funnier than seeing Richard Nixon look into the camera and sincerely tell everyone he didn't know where the 18 minutes had gone from his tapes. But there was all this sweat on his upper lip. We knew he was lying. He knew we knew he was lying. But he was determined to tell the lie.
Mystics knew how to channel grace through prayer and they knew the power of that. They knew how to receive guidance through reflection and contemplation; they knew how to share the gift of illumination with each other. These are great gifts of life and profound grace that we are capable of providing for each other and the world. This is what it means to be a mystic without a monastery. You make a commitment to your own interior illumination and through that discover the "sacred" part of your "contract" and the true meaning of your highest potential.
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