A Quote by Benny Blanco
I'm not deciding what the artist is going to write about because it's the artist. They're gonna have to sing that song for the rest of their life. When they're old and they're 80 and they have their show in Vegas, they're gonna have to sing that song for the rest of their life.
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History has proven that it's impossible to crush the artist. There's always gonna be a need for somebody to write a poem or sing a song about something, about life - that makes it real. There's the word that goes beyond the word.
The purity of finding the right artist, that artist that's gonna be the next hall of famer, that artist that's gonna be the next headliner, lifting people out of their seats at Madison Square Garden, that song that's gonna be sung for hundreds and hundreds of years, that essence remains the same.
A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life.
I can't make a song for a particular person or demographic. If I love it, I'm gonna do it. I have to perform it for the rest of my life. A song is like a tattoo - you can never get away from it.
I didn't say I wasn't gonna do rockabilly. I just said I ain't gonna sing no song that ain't a country song. I won't be known as anything but a country singer.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
I'm not the kind of writer that goes, 'I'm gonna write a song about sunshine,' or, 'I've just heard a phrase, so I'm gonna write that,' and then I write a song. I'll wait for inspiration to hit, and you can't depend on it.
If I write a song, I'm gonna end up singing it. If I sing it, I gotta dance to it.
If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
I've always gone to see all kinds of shows and stole what I could, as we all do. We see an artist and hear a song and think, 'I bet I could sing that song. I'll put that in my show.'
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
You could be the sexiest woman in the world, and if you can't sing, if you're not an artist and you can't create a show, you can't have power in front of a crowd, you're gonna crash and burn.
Just because you sing songs about a certain feeling doesn't mean you have to go feeling that way forever. You can sing about that for the rest of your life, but that doesn't mean things aren't going to change in your own life.
If I'm happy with the song and it's a hit song or not, for the rest of my life, I can hang my hat on knowing I did the best I could, and I'll enjoy getting out there and doing it. That's all that really matters for me. The icing on the cake is people actually enjoy it and sing it back to you. That's when you know that you've done something great.
We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'
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