A Quote by Benny Cassette
For me, great jazz records really feel like everyone in the room is playing together in a zone - and all the musicians are completely in sync with each other.
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I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.
To me, groups of musicians playing together, not fighting each other, but playing a groove together is one of the most exciting things to listen to.
People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.
You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like.
We had a lot of fun together. We really were in sync with each other, a lot.Madisyn Shipman is a great kid.
There are days where I can go into a room full of people, talk to every single person, and feel completely at ease, and feel like making every single person laugh, and feel like everyone's having a great time. There are other times where I go into a room of people, and I literally want to run and hide.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I know of musicians who have played together for decades who hate each other. The Modern Jazz Quartet for one.
We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians.
It's really funny to me that I get called a workhorse or somebody who's really good at making other people better in the ring. I feel like I'm good at every aspect of this. I feel like I'm a great talker; I feel like I'm a great representative of the company. I broke records in college. I have an amateur background with fighting skills.
The cool thing is that jazz is really a wonderful example of the great characteristics of Buddhism and great characteristics of the human spirit. Because in jazz we share, we listen to each other, we respect each other, we are creating in the moment. At our best, we're non-judgmental.
The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
Brothers don't necessarily have to say anything to each other - they can sit in a room and be together and just be completely comfortable with each other.
I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the way that it can feel like boot camp.
My brothers and sister and me grew up making fun of each other, the way we'd speak or move. When we get together, everyone's funny, quick, loud, and speaks on top of each other. It was like a great comedy school; nothing is precious.
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