A Quote by Benny Green
The first jazz pianist I heard was Thelonious Monk. My father was listening to an album of his called 'Monk's Dream' almost every day from the time I was born.
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At first I didn't understand what [Thelonious Monk] was doing, but I went back again, and what I can say about Monk is that I heard ancient Africa in his music. When he played, it was like a ballet. He captured the sound of the universe. Monk could take a triad, a simple chord, and make it sound dissonant. I'm sure that element he had in his piano was part of the two years he spent traveling with his mother in gospel music in the tent shows.
I got into music when I was a little boy. My dad was always into jazz. I got my education from him. The first time I listened to jazz, he gave me a Thelonious Monk record. It was so different from anything I had ever heard. It took me a while to understand it, and I liked that. I liked the fact that it wasn't immediately palatable.
In high school I was a jazz nerd, listened to a lot of Bud Powell and Thelonious Monk and stuff like that. Maybe in Harry Pussy I was listening to more horn players.
I play a Monk song, it's like you get possessed. And then you have to break that spell. You have to remind yourself that you are an individual, or that you aren't Thelonious Monk.
Jazz is very much a part of my life. I work with the Thelonious Monk Institute and do the artwork for their program every year.
Bop began with Jazz but one afternoon somewhere on a sidewalk maybe 1939, 1940, Dizzy Gillespie or Charlie Parker or Thelonious Monk was walking past a men's clothing store on 42nd Street or South Main in L.A. and from a loudspeaker they suddenly heard a wild impossible mistake in jazz that could only have been heard inside their own imaginary head, and that is a new art. Bop.
I have tons of jazz records: John Coltrane, Thelonious Monk, Miles Davis. I could go on and on.
[Thelonious] Monk is a subject in itself. I mean, most piano players in most big bands sit down and they play with the band, you know. But Monk would just sit there like this. And all of a sudden there'd be a pause from all the trumpets and everything and Monk would go 'plink!' like that. And everybody would go 'Yeah!
If for just the time of a finger-snap a monk produces a thought of loving-kindness, develops it, gives attention to it, such a one is rightly called a monk. Not in vain does he meditate. He acts in accordance with the master's teaching, he follows his advice. How much more so if he cultivates it.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I love Thelonious Monk's song "Just a Gigolo." It's probably a minor song for him, but whenever I hear a recording of him playing it, I'm mesmerized, because Monk clearly loved pop music. He took it very seriously and made an amazing thing out of it.
Ornette Coleman is doing the only really new thing in jazz since the innovations in the mid-forties of Dizzy Gillespie, Charlie Parker, and those of Thelonious Monk
When I came out of the conservatory, the first thing I did was to go see Thelonious Monk.
This is for you,' he (the Alchemist) said, holding one of the parts (of gold) out to the monk. 'It's for your generosity to the pilgrims.' 'But this payment goes well beyond my generosity,' the monk responded. 'Don't say that again. Life might be listening, and give you less the next time.
Becoming a monk was a hard decision. Leaving being a monk was harder, but it's given me so much faith in my ability to transition, and that what I learned as a monk can still serve me.
When it's all said and done, jazz with a capital J is where I'm coming from. Dexter Gordon, Billie Holiday, Miles Davis, Charlie Parker, Thelonious Monk - that's what I really studied when I was a teenager and what really fueled my passion.
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