A Quote by Benson Henderson

A lot of my kicks are unique to MMA and the fight game in general. I wouldn't say that it's on purpose, but more because I've had success doing them and using them. I just use them more often.
The important thing about doing art and writing is that we are using our voices and using them really, really loudly. And to any girls or young women who want to write comics, I tell them, "You have to use your voice. You have to take up space." We have to fight to be heard. No one else is going to fight for us.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
I think success has a downside. The more successful you get and the more out there you are in the world, the more vulnerable you are and the more you are open to hate, especially because of social media. But it also depends what you class as success, because someone could do something mean and class that as success for them. But for me, if you're doing something positive that's allowing someone to have a better wellbeing, or embrace their life more, you have to go for it, but know there's always going to be people who hate on you for doing what you're doing.
Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality. Buildings were judged more by the way they looked in magazines than by the satisfaction people felt when using them.
When it comes to wrestling, judo and boxing they are at a good level. They can compete in an international level. On the amateur level it is extremely high. Transitioning to MMA for them would be easy. I think we will see a lot more Cubans in MMA as it gets easier for them to complete.
Britney Spears and Christina Aguilera are doing pretty well at getting noticed - a lot of people are doing pretty well at it. But you wonder whether they'll last, because many of them don't have the ability to get an audience to love them. You say, "That's a fabulous body" or "I like that song"; you don't say, "I love them because I know them." You can't know them.
You have guys that are comfortable in certain roles and they've made a lot of money in the role that they've been in, so it's hard for them to change or envision doing something different from what they're doing because what they're doing obviously was giving them a lot of success.
A lot of people are still very afraid of spice. A lot of them don't know how to use the full potential of spice. I hope to make them more comfortable using spice and able to add it to their cooking.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality... Buildings were judged - at least by members of our own profession - more by the way they looked in magazines than by the satisfaction people felt when using them.
If you look at MMA, you don't have an amateur MMA. You have some of these young men like James Kirkland who had 140 amateur fights, I had 3. My skill level was I was just powerful as hell, I didn't know how to actually box in the beginning. I was just punching them, the skill level wasn't there. You will have one or two females that are really skillful, but who are they gonna box to get better. MMA is just more exciting because you kick and throw people on the ground and whatever. But people tuned into a fighter like me because I put people to sleep.
I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.
When we get people to log in, they end up using Quora a lot more, and we can provide a lot better experience for them. We can show them a personalized news feed; we can send them digest emails and do all this ranking to find some stuff they want to read.
Definitely for writing, what inspires me is poetry, which I have next to me all the time because I think they're doing what I'm doing, but much harder, more condensed. It's the same job, but they're more talented. All of them. So I just steal openly from them.
I think, in general, the sports I've enjoyed covering the most have been the offbeat ones. The more popular, mainstream, the less I like them because they're more, they're more structured and the players don't have much interesting to say because they're interviewed all the time.
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