A Quote by Bent Larsen
Nimzovitch became then for me more or less the author of the only book which could help me get away from these Euwe books, which, I admit, are very good for the ordinary club player. But once you've reached a certain strength you get the impression that everything that Euwe writes is a lie.
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Books are good but they are only maps. Reading a book by direction of a man I read that so many inches of rain fell during the year. Then he told me to take the book and squeeze it between my hands. I did so and not a drop of water came from it. It was the idea only that the book conveyed. So we can get good from books, from the temple, from the church, from anything, so long as it leads us onward and upward.
An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
But there are people who take salt with their coffee. They say it gives a tang, a savour, which is peculiar and fascinating. In the same way there are certain places, surrounded by a halo of romance, to which the inevitable disillusionment you experience on seeing them gives a singular spice. You had expected something wholly beautiful and you get an impression which is infinitely more complicated than any that beauty can give you. It is the weakness in the character of a great man which may make him less admirable but certainly more interesting. Nothing had prepared me for Honolulu.
The more I learned about the use of pesticides, the more appalled I became. I realized that here was the material for a book. What I discovered was that everything which meant most to me as a naturalist was being threatened, and that nothing I could do would be more important.
I believe we all have a responsibility to try to help other people in this world. To me, my ability to help and to do good for others will only increase if I'm more known and get to that really super elite level. That would be the huge benefit for me. It would put me in a position where I could just help more people.
I used to be a writer with superstitions worthy of a professional baseball player: I needed a certain desk chair and a certain armchair and a certain desk arrangement, and I could only get really useful work done between 8 P.M. and 3 A.M. Then I started to move, and I couldn't bring my chairs with me.
Transfer fees don't show which player is better. It's only a number necessary for a club to get a player.
I wish I could go back and rewrite my first book, You Bright and Risen Angels; I could do a better job. But in the meantime, nobody knows as much about my books as I do. Nobody has the right but me to say which words go into my books or get deleted or edited. When I'm dying, I'll smile, knowing I stood up for my books. If I die with more money, that wouldn't bring a smile to my face. Unless I got better drugs or more delicious-looking nurses.
In the world of book writing, an author really gets to have control over what he or she writes, which is why it is very satisfying. With the help of a great compatible editor, you really have something in the end you can call your own.
A good author, and one who writes carefully, often discovers that the expression of which he has been in search without being able to discover it, and which he has at last found, is that which was the most simple, the most natural, and which seems as if it ought to have presented itself at once, without effort, to the mind.
I can assure the conspiracy theorists who have very effectively savaged [Gerald] Posner in their books that they're going to have a much, much more difficult time with me. As a trial lawyer in front of a jury and an author of true-crime books, credibility has always meant everything to me. My only master and my only mistress are the facts and objectivity. I have no others.
I did the first Parker novel, in which he got caught, and the editor at Pocket Books took me to lunch and said, 'Is there any way that this guy could get away at the end, and you could do three books a year for us?' And I said, 'I think so.'
A player's mind, body and soul have to be right to get the best out of them, and if a player no longer wants to be at a club then the club should try and get the best deal they can and let the player move on.
I don't really get hate mail, which surprises me, but people have better things to do than to write hate mail to somebody who writes a book about hating everything, I guess.
Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.
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