A Quote by Bent Saether
Generally there are always a few things that get left off for some reason or other, although the criteria for inclusion vary from project to project.
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I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.
For some reason, juggling things makes everything work better. That's just how we operate. It just makes the other project more of something to look forward to. I think the more you keep things going, the more it helps the other project.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
The main reason for choosing a project is not really the renown of the director that's making the project. I feel like it's the fact of an actor to constantly want to do different things.
Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
There are two projects facing each other. There's Marine Le Pen's project of a fractured, closed France. On the other hand, you have my project which is a republican, patriotic project aiming at... reconciling France.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
My wife and I have now founded Lavender Pictures. If one has one's own company, there are very few surprises, but there's still the actual thrill of trying to get these projects off the ground. We're meeting with some measure of success. Always, now and at any stage of my career, I'm open to ambush, but there have been the most extraordinary set of coincidences, which continues through my journey, and I find it thrilling. Often, out of left field and quite randomly, comes a project and I think, "My god, there you are!" It's quite beautiful, really.
I have my Poetry 180 project, which I've made my main project. We encourage high schools, because that's really where, for most people, poetry dies off and gets buried under other adolescent pursuits.
There's this emotion we all feel of being overwhelmed at times, feeling that you can't get ahead. For me it's self-imposed because I'm so driven and I'm always going from project to project.
When Maryam Babangida and Mariam Abacha built the Women Centre and the National Hospital they did not carry the buildings when they left government. I will not go with the peace mission building. Women should resist being used to kick against the project. If the project was for men the budget for the project would have long been passed.
You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?
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