A Quote by Bentley Little

I write horror because I enjoy it. I'm endlessly fascinated by the supernatural, by death, by darkness. And, to be honest, I don't have much choice. This is the way my mind works.
Total victory is the only acceptable goal in a mind-control war because humanity is diminished so long as a single mind remains trapped in superstition [supernatural religion] by programming or choice.
What I enjoy the most is portraying villains like a vampire, a serial killer, a supernatural creature, etc... That's when I have the most fun, creating those roles. I also love playing the hero in horror movies, because then I get to really be believable, truthful to feel the terror, the scariness, the horror, and be able to really transmit that to the audiences watching the movie or that TV series.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
The Surrealist supernatural is a bit predictable but given the choice between supernatural and anything else, I would have no hesitation. Long live supernatural!
Mental hospitals are great for horror movies because they're already scary even without the horror or supernatural elements. This is a place where you can play with the ideas of one's sanity, what's real and what's not.
I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else.
I'm a moderate Democrat. I've always been fascinated and maddened by the way things get done in our system, which as an ideal is so extraordinary, but the way it actually works can be mind-boggling.
I've always been fascinated with death and darkness, and I still am.
I cannot state enough how important post-production is for the success of a horror movie. You bring so much to it with the way you edit it, the way it is sound-designed, and the way the music works with it.
Choice implies consciousness - a high degree of consciousness. Without it, you have no choice. Choice begins the moment you disidentify from the mind and its conditioned patterns, the moment you become present....Nobody chooses dysfunction, conflict, pain. Nobody chooses insanity. They happen because there is not enough presence in you to dissolve the past, not enough light to dispel the darkness. You are not fully here. You have not quite woken up yet. In the meantime, the conditioned mind is running your life.
I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time.
I'm fascinated by people in their eighties and nineties. Especially those who are still creating and living in an interesting way. I am fascinated by them because they have so much to say now that they've lived for so long.
If I could prescribe a single rule for looking at a work of art it would be to enjoy it. If we're honest with ourselves, we have to admit we enjoy our tears just as much as we enjoy our laughter. The only moments of life that are a bore are when we don't care one way or another.
We are fascinated by the darkness in ourselves, we are fascinated by the shadow, we are fascinated by the bogeyman.
When you make a thriller/horror, darkness is [your] friend, because it lets the imagination go wild and what not. So you always end up going into darkness.
The fact that 'A Dirty Job' has comedy and supernatural horror in it, that both are woven in and out of it with a whimsical tone, despite the fact that it's about death, makes it hard to characterize with standard genre labels - but I have no problem with that. I'd call it a funny story about death, and leave it at that.
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