A Quote by Benton MacKaye

There are three things: to walk, to see, and to see what you see. — © Benton MacKaye
There are three things: to walk, to see, and to see what you see.

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I am in awe of the things you've been put through and the fact you can still light up a room when you walk in. When I look at you I see life. I see joy. I see my future.
You walk in our locker room and you see Pau Gasol, you see Andrew Bynum, you see Kobe, you see Ron Artest ... we have so many players that can play.
If I see three oranges, I have to juggle. And if I see two towers, I have to walk.
To see life. To see the world. To watch the faces of the poor, and the gestures of the proud. To see strange things. Machines, armies, multitudes, and shadows in the jungle. To see, and to take pleasure in seeing. To see and be instructed. To see and be amazed. (Describing the powers of photography; written for the launch of LIFE Magazine, 1936.)
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
When I see a play one time, I've got it. When I see it twice, I master it. When I see it three times, I know where the loopholes are.
If we see someone in a wheelchair, we assume they cannot walk. It may be that they can walk three, four, five steps. That, to them, means they can walk.
You don't see what you're seeing until you see it but when you do see it, it lets you see many other things.
I don't like horror, which is ridiculous because I've been in three horror movies, but when I see those things, I see camera tricks and fake blood and actors screaming and I don't know understand why other actors don't see that.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
I once joked in a book that there are three things you can't do in life. You can't beat the phone company, you can't make a waiter see you until he is ready to see you, and you can't go home again. Since the spring of 1995, I have been quietly, even gamely, reassessing point number three.
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
I don't see here on this side; but I will see on the other side. I know I'll get to see. I know I'll get to walk those golden streets and I'll get to see Shadrach, Meshach and Abednego; and I'll get to see the Lord. Oh yes I will.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
People will always see things that they want to see but, ultimately, 'Celebrity Juice' is about three mates having an absolute laugh.
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