A Quote by Berenice Abbott
The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective. What I mean by objectivity is not the objectivity of a machine, but of a sensible human being with the mystery of personal selection at the heart of it. The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework - that to me is the art of photography.
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The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective.
Many journalists become very defensive when you suggest to them that they are anything but impartial and objective. The problem with those words "impartiality" and "objectivity" is that they have lost their dictionary meaning. They've been taken over. "Impartiality" and "objectivity" now mean the establishment point of view.
It should be totally fine to question the objectivity of scientists and the power structures in scientific institutions. The physical laws of the universe are objective, but human beings in any context are not. That includes with regard to science. To some extent, the supposed objectivity of science has given a lot of extra cover to very subjective and eccentric approaches to exploring aspects of ourselves and the universe around us.
I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.
My first intellectual challenge was to try to understand this incredible city of Banaras (also called Varanasi) in India and its meaning for Hindus. That was the place I lived for the first year I was in India and I've been back many times. It's a kind of home to me.
I've always been a visual person, I'm formerly a graphic designer. I've always seen myself as an observer. I like to maintain objectivity and don't get too intimately involved in my subjects.
It's increasingly rare for me to find things that challenge me as an actor because the challenge of my personal life, and how fulfilling I find it, is tough to compete with.
The cable news channels have cleverly seized on the creed of objectivity and redefined it in populist terms. They attack news based on verifiable fact for its liberal bias, for, in essence, failing to be objective, and promise a return to genuine objectivity.
A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.
When, in 1913, in a desperate attempt to rid art of the ballast of objectivity, I took refuge in the form of the square... the critics... sighed, "All that we loved has been lost. We are in a desert"... But the desert is filled with the spirit of non-objective feeling.
I've been interested in art and fashion for as long as I can remember because they are so visual. I am fascinated by the idea of visual creation from the ground up, which is a challenge in ballet when the audience has seen every show of yours, every other principal that you've shared a role with, and every different production.
For me photography is just a way to collect material to realize the ideas in my mind. I get inspired by things around me in my daily life and all kinds of things I see. Every new project is a new challenge and my goal is to realize them as realistic as possible.
Having emotional connections to things that don't really exist, like looking at a green ball and really loving that green ball, and being sad whether it's around or not. Stuff like that. I've never done acting at this level before so it was a huge challenge for me. It was a hurdle to overcome just to survive.
It is only by being exchanged that the products of labor acquire a socially uniform objectivity as values, which is distinct from their sensuously varied objectivity as articles of utility.
I look at the human sciences as poetic sciences in which there is no objectivity, and I see film as not being objective, and cinema verite as a cinema of lies that depends on the art of telling yourself lies. If you’re a good storyteller then the lie is more true than reality, and if you’re a bad one, the truth is worse than a half lie.
If you're deeply engaged in an event, you're part of it. But if you're outside of it, disinterested, you are the regard that registers history. And that disinterestedness is different from objectivity. The objective view sees only the event, while the disinterested one participates as well as views by creating that link to history. It's a type of viewing that's both inside and out of the event, that brings to the viewing the capacity for human emotion, for compassion, but holds it openly. And objectivity excludes the human element, and is therefore not a point of view open to humans.
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