A Quote by Berenice Bejo

I'm okay. Nobody's bothering me. Everyone's very kind, and very polite. I don't feel like my whole life changed. — © Berenice Bejo
I'm okay. Nobody's bothering me. Everyone's very kind, and very polite. I don't feel like my whole life changed.
I've changed my whole life around, I've devoted my life for tennis instead of partying. I'm very happy, you know, I'm 27, I really feel like I have another 5 years left in me, and I still, honestly feel like I have still got the best tennis, best things ahead of me.
Someone asked me if I would like to write a man on death row, be a pen pal, and I was like, sure. I volunteered. I had been in a place in my life - a relationship had ended; my parents were getting elderly - I was kind of adrift. The name that was given to me, just randomly, was Todd Willingham. And he wrote me a letter, and in this letter, he thanked me for writing him and [said that] if I would like to visit, he would put me on his visitor list... I was just really struck by the letter from Todd. It was very polite; it was very kind.
I never played sports or got into the whole guy camaraderie of, like, 'I love you, man! Seniors forever!' So suddenly being in the military with these guys who were under these very heightened circumstances, isolated from their families, living this very kind of Greek lifestyle, it changed my life in a really big way.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
I feel like songwriting changed from something that I liked doing to something that, I feel, is a very important outlet for me to digest all the things around me. Once I put thoughts into a song, I can let it go, it doesn't bug me anymore you know what I mean? It's kind of a catharsis.
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
I was a very polite schoolgirl who did her work very well and hid under tables. I'd hate to think I haven't changed at all.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
I think my whole life, work has been a very important and positive thing for me. It never was something that made me feel unhappy or disengaged from life. It always makes me feel like I'm plugged in, in a really healthy way.
I'm very interested in the way the Internet has changed teenage life. Obviously it's very different from when I grew up, when there weren't even answering machines, much less computers. I was telling my children this the other day, and the little one said, "Did you have electricity, Mom?" and I was like okay, enough, kid.
My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
I've had this problem my whole life where I feel like I'm laughing all the time, and I feel like I understand what makes me laugh. But other people don't see it. It's very confusing.
I kind of feel that once we're back in London and back in regular life, I just sort of get the bus and very occasionally this whole other role [ in Chronicels of Narnia] slips into my home life. Randomly people recognise me but even then it's very minor. It's not as if my life has been turned on its head and I can't walk down the street unless I'm wearing dark sunglasses and a ninja kit.
Even our early audiences were very polite. It felt like playing in our living room. I remember the audiences changing in front of me. I remember that distinctly. The way they wore their clothes became different. We got a lot of leather jackets with studs. People's hair changed. The whole look was just a sublime move.
My accent has changed my whole life. When I was younger it was very Nigerian, then when we went to England it was very British.
Outside of my home, I look like a very obedient, very serious, very good kind of girl, but nobody knows what happens inside the house.
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