I write scripts, I read scripts, I meet people who chat about their scripts. So honestly, I don't feel bad if I don't act in a film, as long as people are making great films.
A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
It's really great that people are seeing me as a credible person. That alone is great. And the fact that people make fan accounts for me and recognize me now sometimes is really strange and cool.
If people recognize me when I'm out in public, I'm very nice to them. I'm very nice to people even when they don't recognize me. I don't even mind if people come up to me while I'm eating dinner, but if they recognize me while I'm having sex, I refuse to sign autographs.
Sometimes it bothers me that people now only recognize me because of tragedy. But I've come to understand that people really care and worry for me. I feel I should say to every person I meet, 'I'm fine. Daria's fine. Life goes on.'
...This is the first time I have met someone who seeks out people and who sees beyond. [...] We never look beyond our assumptions and, what's worse, we have given up trying to meet others; we just meet ourselves. We don't recognize each other because other people have become our permanent mirrors. If we actually realized this, if we were to become aware of the fact that we are alone in the wilderness, we would go crazy. [...] As for me, I implore fate to give me the chance to see beyond myself and truly meet someone.
The fact is, I have a great home and I like to have people come up. I meet enough people just doing my grocery shopping; I don't need to go out and meet any more people.
When you meet your idols, I'm not one of those people - like if I saw Prince on the street, I wouldn't say anything. Because I'd want him to meet me. You want to meet people on the right terms or if there's a reason for you to meet.
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
I think people see me definitely as a "gangsta" rapper, and what people love about me is when they meet me and they meet me again later, I'm the same dude they spoke to and ain't nothing changed.
People recognize me - but if you've been in the public eye as long as I have and people don't recognize you, I feel bad about myself.
Most people don't recognize me, but they know my name. TSA people rarely recognize my name, ironically, and they are the security people.
People do notice me - I'm always so surprised. When I dyed my hair blond for 'Suburgatory,' people would still recognize me from 'The Last Song,' when I had red hair, and I didn't even recognize myself.
I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.
I love it when people say things to me in public and want to meet me, because I want to meet them! Early on, my manager told me, 'If you want to sell 500,000 records, then go out there and meet 500,000 people.'
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.