A Quote by Berenice Bejo
I fell in love with Crawford because when she was twenty or twenty five, she would dance and talk and sing and do the things that Peppy's character needs to do.
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I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
If a woman tells you she's twenty and looks sixteen, she's twelve. If she tells you she's twenty-six and looks twenty-six, she's damn near fourty.
People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?
The longer a woman remains single, the more apprehensive she will be of entering into the state of wedlock. At seventeen or eighteen, a girl will plunge into it, sometimes without either fear or wit; at twenty, she will begin to think; at twenty-four, will weigh and discriminate; at twenty-eight, will be afraid of venturing; at thirty, will turn about, and look down the hill she has ascended, and sometimes rejoice, sometimes repent, that she has gained that summit sola.
Coincidentally, a good age for a Japanese girl is younger than twenty five, because that's when she turns into a 'Christmas Cake'. Christmas cakes, as everyone knows, are desirable before the twenty fifth but afterward quickly become stale and are put on the shelf.
People learn twenty-five percent from their teacher, twenty-five percent from listening to themselves, twenty-five percent from their friends, and twenty-five percent from time.
I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired.
When she was fifteen if you'd told her that when she was twenty she'd be going to bed with bald-headed men and liking it, she would have thought you very abstract.
When we were arguing on my twenty-fourth birthday, she left the kitchen, came back with a pistol, and fired it at me five times from right across the table. But she missed. It wasn't my life she was after. It was more. She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
A child should be allowed to take as long as she needs for knowing everything about herself, which is the same as learning to be herself. Even twenty-five years if necessary, or even forever. And it wouldn't matter if doing things got delayed, because nothing is really important but being oneself.
…tomorrow was her birthday, and she was thinking how fast the years went by, how old she was getting, and how little she seemed to have accomplished. Almost twenty-five and nothing to show for it.
What can you say about a twenty-five year old girl who died? That she was beautiful and brilliant. That she loved Mozart and Bach. The Beatles. And me.
Teenagers don't know what love is. They have mixed-up ideas. They go for a drive and the boy runs out of gas and they smooch a little and the girl says she loves him. That isn't love. Love is when you are married twenty-five years, smooching in your living room and he runs out of gas and she says she still loves him. That's love.
Be it 'Jhalak,' 'Dance India Dance' or 'Nach Baliye,' I give all the credit to Ekta Kapoor as, just because of her, I am here. She has an eye to identify the real talent. Instead, I would say she knows how to make things work for her. She is not simply called the queen of Indian Television: she is the tigress of TV, I would say.
Until your mid-twenties, you're still growing up mentally. It's fair to say there's a bigger difference between twenty and twenty-five than between twenty-five and forty in terms of who you are, how you relate to your work, and what you want out of it.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
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