A Quote by Berenice Bejo

I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I'm sure she would be exactly the same for me. — © Berenice Bejo
I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I'm sure she would be exactly the same for me.
Holly smiled weakly. Gerry would know exactly how she was feeling, he would know exactly what to say and he would know exactly what to do. He would give her one of his famous hugs and all her problems would melt away. She grabbed a pillow from her bed and hugged it tight. She couldn't remember the last time she hugged someone, really hugged someone. And the depressing thing was that she couldn't imagine ever embracing anyone the same way again.
I would do exactly what you are doing: I would talk to everyone I needed to, I would not tell too many people his name. When I was sure," she said, "I would find a quiet way, and I would kill him.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
Anybody can find out if he is a writer. If he were a writer, when he tried to write of some particular day, he would find in the effort that he could recall exactly how the light fell and how the temperature felt, and all the quality of it. Most people cannot do it. If they can do it, they may never be successful in a pecuniary sense, but that ability is at the bottom of writing, I am sure.
I would love to do a Black Widow movie. That's perfect, I would love to do that. That character is really interesting: she doesn't have any superpowers; she just has extraordinary skills, and the world that she comes from, being this ex-K.G.B. assassin, I find that really fascinating, yeah.
One day, she’d find a way to live her life to the fullest. She was sure of it. She just had no idea how she would manage it.
Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
The certainty that she would find what it was she sought just slipped away, until one night she knew there was nothing, no one waiting for her. That no matter how far she walked, how carefully she searched, how much she wanted to find the person she was looking for, she was alone" - The Forgotten Garden
Amy Sedaris [in the Ghost Team] plays a Miss Cleo-esque character - Miss Cleo just died, so that's kind of timely - but she plays a Miss Cleo-esque TV psychic who's also kind of a bullshit artist. One of the most triumphant character turns in the movie is when she realizes that even though she's a bullshit artist, she does have something to offer. She helps save the day at the end of the movie.
I hope the next actress offered millions to play the 'fat girl for the day' stops to think about this before she signs the contract - even if just to ask, like any professional actress would in any other situation, 'Why does she weigh 350 pounds? And why me for the part?' If the director can't answer these questions, don't do the movie.
That there is no such thing as the scientific method, one might easily discover by asking several scientists to define it. One would find, I am sure, that no two of them would exactly agree. Indeed, no two scientists work and think in just the same ways.
And I can't tell you how many women from a certain age group - they would be in their 30s now, 20s and 30s - tell me about how I was their role model when they were young girls.
She wasnt exactly sure when it happened. Or even when it started. All she knew for sure was that right here and now, she was falling hard and she could only pray that he was feeling the same way.
And if you were a very sophisticated con artist, what would you do to convince people that you were from the future? What benefits would that give you? For us, it's also a question of, "Is she or isn't she?" That's really a major part of the movie.
Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?
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