The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here (in Hollywood), you can see everybody wants his break.
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here, you can see everybody wants his break.
Two days before I got the audition for 'Extras,' I was offered a theatre role, and I asked my husband, Terry, whether I should take it or not. He said, 'No, wait and see what else comes in.' Lo and behold, along came 'Extras.' Now that was lucky!
Usually, the extras have a different mentality. I had the mentality of an artist, because I was a 'ballet-rina.' But most extras are out to make a fast buck for nothing. They're 'atmosphere.'
The thing about that too is that we had the same extras everyday. It was such a community. It was like a microcosmic little town. We were like all little towns people with extras and a crew.
There is a great deal of difference between an eager man who wants to read a book and the tired man who wants a book to read.
Not everybody has their first kiss in front of 200 extras and their mom.
You see? Characters in books do not read books. Oh, they snap them shut when somebody enters a room, or fling them aside in disgust at what they fancy is said within, or hide their faces in one which they pretend to peruse while somebody else lectures them on matters they'd rather not confront. But they do not read them. 'Twould be recursive, rendering each book effectively infinite, so that no single one might be finished without reading them all. This is the infallible message of discovering on which side of the page you are on.
I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.
Billy Slater was one I used to see do extras after training and his catching technique was unreal, so I really looked up to him and followed.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
Everybody could use the money, but you don't play for it - you play with your heart - and that's a big difference you see in Barcelona. Everybody wants to play there; everybody wants to enjoy themselves. It's maybe a small percentage, but maybe it's the difference.
Not everybody has time to pay attention fully, or not everybody has the time to read a book. Some people refuse to read books, and I'm just an unread book. Open me!
I know what kind of books I read on vacation, and it is not necessarily 'Diplomacy' by Henry Kissinger. No disrespect to that book; I have read that book. But not on spring break.
When one does not have what one wants, one must want what one has”: “I have had, you see, to resort more and more to very small, almost invisible pleasures, little extras. You've no idea how great one becomes with these little details, it's incredible how one grows.
The things I connected with Zurich about were that he is a selfless person; he wants the best for everybody. He wants to see everybody win. And he's a strong person. A lot of the time, he doesn't wear his emotions on his sleeve because he wants to stay strong for his line brothers, his family, his mom, everybody. I feel like I can relate to that.
When we were filming the first 'Magic Mike,' we obviously had a limited budget; it was an independent film. And we would entertain extras in between takes.