A Quote by Bergen Evans
It (the dash ) is a comfortable punctuation mark since even the most rigorous critic can seldom claim that any particular example of it is a misuse. Its overuse is its greatest danger, and the writer who can't resist dashes may be suspected of uncoordinated thinking.
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I know as well as any one, [the devil] is an adversary, whom if we resist, he will fly from us--but I seldom resist him at all; from a terror, that though I may conquer, I may still get a hurt in the combat--soinstead of thinking to make him fly, I generally fly myself.
Excessive partiality for one foreign nation and excessive dislike of another cause those whom they actuate to see danger only on one side, and serve to veil and even second the arts of influence on the other. Real patriots who may resist the intrigues of the favorite are liable to become suspected and odious, while its tools and dupes usurp the applause and confidence of the people, to surrender their interests.
No funny stuff in here tonight, you understand?” Dash said, “I assure you I could not contemplate any of your so-called funny stuff seeing as how I have no idea why I’m even here.” Mark scoffed. “You bookish little pervert.” “Thank you, sir!” Dash said brightly.
The greatest danger we face is not any particular kind of thought. The greatest danger we face is absence of thought.
I come from an Italian family. One of the greatest and most profound expressions we would ever use in conversations or arguments was a slamming door. The slamming door was our punctuation mark.
If I ask you who is the most famous scientist who ever lived, or the greatest scientist who ever lived you'll say either Einstein or Newton or something like that because their claims were supposed to apply universally. But the claim of somebody who is studying a particular feature of the evolutionary process like whether it's very fast or very slow, or occurs in steps and so on, that's not a universal claim, that's a rather specialised claim and so you can't claim to great fame and great success.
William Dalrymple has superseded Mark Tully as the voice of India… He may well be the greatest travel writer of his generation.
Edmund Wilson was our greatest American literary critic because he was more than a literary critic: He was a fearless, even radical judge of the society he lived in. (See, for example, _A Piece of My Mind_; _The Cold War and the Income Tax_; the introduction to _Patriotic Gore_.) Our conventional critics cannot forgive him for those scandalous lapses in good taste.
The danger is that we may fail to perceive life's greatest meaning, fall short of its highest good, miss its deepest and most abiding happiness, be unable to render the most needed service, be unconscious of life ablaze with the light of the Presence of God - and be content to have it so - that is the danger. That some day we may wake up and find that always we have been busy with the husks and trappings of life - and have really missed life itself.
The greatest of all French critics, and possibly the greatest European critic since Aristotle .
What the young writer is looking for is not a critic who will slap him on the back and say, 'Greatest thing since O. Henry,' but rather the one who will toss the manuscript down in disgust, with 'You know better than that! It's rotten! Do it all over again!'
While I was still a boy, I came to the conclusion that there were three grades of thinking; and since I was later to claim thinking as my hobby, I came to an even stranger conclusion - namely, that I myself could not think at all.
Thinking of Poe, thinking of Mark Twain and Vachel Lindsay, thinking of Jack London and Tom Wolfe, one begins to feel there is almost no way of becoming a creative writer in America without being a loser.
In most cases a favorite writer is more with us in his book than he ever could have been in the flesh; since, being a writer, he is one who has studied and perfected this particular mode of personal incarnation, very likely to the detriment of any other. I should like as a matter of curiosity to see and hear for a moment the men whose works I admire; but I should hardly expect to find further intercourse particularly profitable.
The point of mathematics is that in it we have always got rid of the particular instance, and even of any particular sorts of entities. So that for example, no mathematical truths apply merely to fish, or merely to stones, or merely to colours. So long as you are dealing with pure mathematics, you are in the realm of complete and absolute abstraction. . . . Mathematics is thought moving in the sphere of complete abstraction from any particular instance of what it is talking about.
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
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