A Quote by Berhan Ahmed
What is the problem with the advertising industry is they're still, for me, what I call in Africa is the colonial mind of white men, because the black person or the other colour is out of the line. They're not good for this sort of purpose.
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The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends.
I'm sure no intelligent white person, in his or her right white mind, want black men and women marrying their white sons and daughters and in return introducing their grandchildren to half brown, kinky haired black people.
I was looking around this room, this sea of industry folk. If I had have worn black and white, somebody would have asked me to get them a cocktail; the only other people of colour there were servers.
The vast majority of murdered whites are murdered by other whites. That's why there's no national outrage when a white person is killed by a black person: it's not evidence of some underlying black violence problem directed against white people.
The colour grey makes you feel uneasy, makes things seem complicated and hopeless, it upsets the notion of black and white. Good and evil? There is no such thing. There is a little good and a evil, a little black and a little white. Grey is not an attractive colour, but perhaps it is the one that describes the world most accurately.
Colonialism has a bad reputation in the modern context, but Colonial Africa was a far better place for both black and white before the colonists gave up.
It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.
They wanted black women to conform to the gender norms set by white society. They wanted to be recognized as 'men,' as patriarchs, by other men, including white men. Yet they could not assume this position if black women were not willing to conform to prevailing sexist gender norms. Many black women who has endured white-supremacist patriarchal domination during slavery did not want to be dominated by black men after manumission.
In Asia, the nation state still is extremely vital, and of course, then in Africa, a whole new pattern is emerging because the states in Africa reflected the preferences of the colonial powers when they were established.
Dear White Fella When I am born I’m black When I grow up I’m black When I am sick I’m black When I go out ina sun I’m black When I git cold I’m black When I git scared I’m black And when I die I’m still black. But you white fella When you’re born you’re pink When you grow up you’re white When you git sick you’re green When you go out ina sun you go red When you git cold you go blue When you git scared you’re yellow And when you die you’re grey And you got the cheek to call me coloured?
Black people still call me Prince. Sometimes I ask them, "Why do you call me Prince?" And people say, "Because you are a prince to us." Usually when they say that, you know my heart goes out and I have to say, "I don't mind your calling me that."
Taking the continent as a whole, this religious tension may be responsible for the revival of the commonest racial feeling. Africa is divided into Black and White, and the names that are substituted- Africa south of the Sahara, Africa north of the Sahara- do not manage to hide this latent racism. Here, it is affirmed that White Africa has a thousand-year-old tradition of culture; that she is Mediterranean, that she is a continuation of Europe and that she shares in Graeco-Latin civilization. Black Africa is looked on as a region that is inert, brutal, uncivilized - in a word, savage.
This propaganda of dis-associating Western Negroes from Africa is not a new one. For many years white propagandists have been printing tons of literature to impress scattered Ethiopia, especially that portion within their civilization, with the idea that Africa is a despised place, inhabited by savages, and cannibals, where no civilized human being should go, especially black civilized human beings. This propaganda is promulgated for the cause that is being realized today. That cause is COLONIAL EXPANSION for the white nations of the world.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
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