A Quote by Berkeley Breathed

My post-child period resulted in one instant change: I write shorter books for kids. — © Berkeley Breathed
My post-child period resulted in one instant change: I write shorter books for kids.
I wanted to be a writer that had an impact. I wanted, and still I say the same thing, I want to write books that change people's lives, change how we think and live and read and write. I wanna write books that are read in 50 or 100 years.
We give scholarships to high school kids and a new library of books to every preschool child in the county where I was born. I didn't have books at home so I did all my reading at school. I love books and I believe that helping kids to read gives them a great start in life.
Whatever he says, let his inner resolution be not to bear whatever comes to him, but to bear it 'for a reasonable period'--and let the reasonable period be shorter than the trial is likely to last. It need not be much shorter; in attacks on patience, chastity, and fortitude, the fun is to make the man yield just when (had he but known it) relief was almost in sight.
The condition of the United States in the post-postmodern, or post-post-irony period. It's what the country will become when there is nothing left but mediated images of its substance.
In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
Each of my books took roughly one and a half years to write. Some may have taken a shorter time to write the draft and a longer time to revise, while others were the opposite.
I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.
I don't change the language for children books. I don't make the language simpler. I use words that they might have to look up in the dictionary. The books are shorter, but there's just not that much difference other than that to be honest. And the funny thing is, I have adult writer friends [to whom I would say], "Would you think of writing a children's book?" and they go, "No, God, I wouldn't know how." They're quite intimidated by the concept of it. And when I say to children's books writers, would they write an adult book, they say no because they think they're too good for it.
Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.
Kids love to be silly, they love to laugh, so I think it was natural for my kids to like the sort of books that I write - and it's the only kinds of books I'm capable of writing.
Nora Roberts, Stephen King, Lee Child and George R. R. Martin write wildly different books. Their writing, plotting and styles have little or nothing in common. But they all write books and characters that readers find appealing.
In a second-class courtesan house, the courtship was much briefer. It could even be one night; usually it went on a little bit longer. But as the years went by, that period of courtship was shorter and shorter.
I write books to relieve ­myself of pain. That's the prime motivator to write. Period.
I think the advantage we had with "MacGruber" is the speed we had to put it together. We had a such a short period to write the movie and such a post-[production] period, it was almost like the way that the show worked, where everything is happening so fast you have to go with your gut.
More books have resulted from somebody's need to write than from anybody's need to read.
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