A Quote by Berkeley Breathed
It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.
Related Quotes
The challenge is, well, there's a huge challenge, which is when you're improvising, you're meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.
As primitive as digital can be, there is nothing automatic in the methods I use, it's all basically done by hand. I know nothing about computers. I don't like computers. I use them for writing because I have to. I have never had a conversation about computers in my life.
I am a child of digital generation. I have done most of the records with Rilo Kiley on computers, on Pro Tools or other digital programs.
Digital is expensive, from the computers to the professional software to the technicians, but digital helps me to create more beautiful images in less time.
Computers are here to stay. It is a major challenge for the future to use computers efficiently in combinatorics without losing its special appeal.
Every disruptive innovation is powered by a simplifying technology, and then the technology has to get embedded in a different kind of a business model. The first two decades of digital computing were characterized by the huge mainframe computers that filled a whole room, and they had to be operated by PhD Computer Scientists. It took the engineers at IBM about four years to design these mainframe computers because there were no rules. It was an intuitive art and just by trial and error and experimentation they would evolve to a computer that worked.
Before a painter puts a brush to his canvas, he sees his picture mentally.... If you think of yourself in terms of a painting, what do you see?... Is the picture one you think worth painting?... You create yourself in the image you hold in your mind.
We went from a world where almost nobody knew anything about computers to a world where almost all of us are computer geeks for a huge fraction of our day. And I'd like to see that happen with the digital world of biological molecules, too.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
I woke up my pop in the middle of the night 'cause the boogie man's under my bed. My pop is this big, huge man, nothing can hurt him. I went running into his bedroom like, 'Daddy, Daddy, the boogie man's under the bed!' Pop opens one eye, he's like, 'Is the boogie man bigger than me?' 'Well, no Daddy, he's not.' 'Well, you got your choice: you can deal with the boogie man or you can deal with me.'
Everybody has called Pop Art 'American' painting, but it's actually industrial painting.
Pop Art is not painting because painting must have content and emotion.
While the digital transformation of industries will be profound, we must keep in mind that it will have wider economic and social impact, too, as with previous revolutions driven by steam and coal, electricity and computers.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
I like when things are completely absurd. I like when people take risks. I want to be able to challenge myself and challenge the viewer and challenge the back of our mind - the subconscious mind.
Music changes constantly, especially when you're a 'pop' artist. What's mainstream or pop always has new influences, new sounds, and I love that challenge of keeping up with it, which is important as a pop artist.
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