A Quote by Bernadette Peters

Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there's great truth in the songs, and that's what was so wonderful to find. — © Bernadette Peters
Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there's great truth in the songs, and that's what was so wonderful to find.
I am writing better Stephen Sondheim songs than even Stephen Sondheim is writing.
It's great when it all comes together in a great musical like 'Sweeney Todd,' when Stephen Sondheim writes songs from heaven, the book is good and the staging is good. But it's very rare when that happens.
The thing about Stephen Schwartz is that, while it may be difficult to learn - it's a little bit like[Stephen] Sondheim; Sondheim is quite difficult to learn - but, once you have it in you: it never leaves you. It becomes some of your favorite music; it really does.
I was essentially trained by Oscar Hammerstein to think of songs as one-act plays, to move a song from point A to point B dramatically.
I heard from Stephen Sondheim, who has become a great supporter of mine. There was no one bigger when I was growing up.
I adore the work of Stephen Sondheim. I like musicales in general. They make surprisingly great running tapes.
The truth is, most of those female stories that are contending for Oscars are directed by men. Let's be honest. I looked at the 44 Oscar contenders in Variety that someone wrote up - there was not one directed by a woman. All the ones that were getting an Oscar pitch with the money and everything behind them were by men.
I saw "Follies" again at thirty, and you know, I had this great appreciation for [Stephen] Sondheim's brilliance, his lyrics.
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
Oscar Hammerstein was a surrogate father. I liked my father a lot, he was a swell fellow, but I didn’t see him very often because my mother was bitter about him and did everything she could to prevent me from seeing him.
Tom Kitt aside - he's in his own category with me, of course - Stephen Sondheim is one of my all-time favorite composers.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
Stephen Sondheim I am in awe of.
I'm a devotee of Stephen Sondheim. I think he's a genius.
I can only say thank you and thanks also to all of the great songwriters who wrote those wonderful songs that became number ones.
The only Train song I like is the one that I play in my act "Drops Of Jupiter". Sheryl Crow has three or four songs that I like; also Dave Matthews Band. With those particular musicians, it's more that there are a few songs that I like rather than their entire body of work. There are a lot of indie bands that I like too. I'm not a snob about music. Does the fact that I like Stephen Sondheim and Broadway musicals make me a fake? Does the fact that I'm "the Billy Joel of comedy" mean that I don't have indie-rock credibility?
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