A Quote by Bernard Arnault
When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
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I always had to have a day job, working on other people's ranches or construction or whatever. I was making a little bit of money rodeoing, but between the both of them it wasn't much of a living.
We are committed to making construction zones as safe as we possibly can for motorists and those working on the job.
The design and creative side is not a problem, but learning how to run a company as a young creative has been challenging. There is so much more on the business side than I ever considered when I first started making jewelry in my kitchen. It has been a challenge keeping up with the company's success, and I have had to learn from my and others' mistakes as I go.
I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
Whether youre working in corporate America or youre a journalist, construction worker, a teacher or an actor - were all trying to keep working. If one job is ending, you look for another job. When Psych ends, I will be looking for another job.
First career I had right out of engineering school was at Lucas film, not working in the movies but working in home theater.
I think architecture could be understood as the construction of realities, or the construction of worlds. One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds, and in our case, the realities we create can be as real as concrete. These kinds of ideas, of wild imagination, go into the question of how you make a world.
I always have been trying to work on the other side of Jackie, and that is, making sure that my appearance, that my image, is right; also, working in the job world, knowing how it is to wake up and go to a job.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
If you're an artist working in China, you become aware that there are things you have to give up in order to practice your art. For the most part, you know what they are. With my first three films, the consequences of making them was that I had to forgo the possibility of releasing them theatrically in China.
Whether you're working in corporate America or you're a journalist, construction worker, a teacher or an actor - we're all trying to keep working. If one job is ending, you look for another job. When 'Psych' ends, I will be looking for another job.
It's a tough business. To my parents or to their friends, I was not a success, but to me I was a huge success. I was having a blast. I was working on shows I loved, I was working with actors I loved, and I was making a living as an actor. And I loved every second of it.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
The reason for a lot of bands not making it is because they don't really understand that your job is sort of divided into two different things. It's one thing creating it... It's like being an architect but also a construction worker.
I had done some work when I was starting in with photography on westerns, and photographing them was the greatest pleasure I had. If I was ever qualified for anything, it would have had to do with making westerns. But as I started working on pictures with people like Katharine Hepburn, I got further away from the thing I really liked to do.
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