A Quote by Bernard Beckett
I write with teenagers in mind.
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First of all, a giant corporation probably shouldn't be being hacked by teenagers. I put that on the corporation, not the teenagers. Teenagers are going to do what teenagers are going to do - rebelling. But if they're able to hack a big corporation, that seems like the corporation should be better at security.
I think it's ridiculous to try to sell records to teenagers, because teenagers don't buy my records. And there ain't that many teenagers out there in the marketplace.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
There are many things that only teenagers can do. Many things that they learn while they are teenagers will become important tools for them after they grow up, and I hope teenagers would make choices that they will not regret in the future.
I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
I don't think I ever intended specifically to write for the young adult market. It's just that when the idea for City of Bones came to me, I knew the main characters were teenagers. In my mind they were just very clearly the ages they were, which turned out to mean it was a YA novel.
Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.' And then there are the letters from adults who say, 'This is such a good book; why did you write it for teens?'
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
I like to write about teenagers because it's such an uncertain and dramatic time.
Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out.
I used to say teenagers were the aliens among us and I think all teenagers feel that way in many respects.
Drugs are in every walk of life - doctors, lawyers, preachers, the guy who works for IBM, teenagers on the street, teenagers in school.
Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.'
I've realized that I will probably write about teenagers and that time in people's lives - I'll probably come back to it a lot.
I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager. I like being around teenagers. It's good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They're mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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